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Tickets for the Degas exhibition are Free for Mother's Day (May 8, 2022).
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This talk will look at the debates over polychromy in architecture from the 1830s to the 1890s that brought architects and painters often into conversation. It will move from the critique of the whiteness of Neoclassicism in the 1830s, and the movement to restore the color of medieval interiors in the works of Viollet-le-Duc and his followers and circle (Sainte Chapelle, Notre Dame) to the critique of the monochrome city after the fall of the Second Empire, when Degas and the Impressionists were most active. It will look at the search for permanent color through both new and ancient materials from mosaic to volcanic encaustic panels, looking at such monuments as Garnier’s Opera and the richly colored facades of the great department stores.
54 in stock
May 18 | 6 PM
David Brashear, Director, Muscarelle Museum of Art
In person, Muscarelle Museum of Art
In 1846, Richard Morris Hunt became the first American student to be admitted to the architecture section of the École des Beaux-Arts in Paris. Two decades later, Charles McKim also enrolled at the École. Their collective impact on American architecture included both true Beaux-Arts styling, directly imported from France, and an evolved rationality that had its basis in French design but reflected a more rational, American approach.