The Muscarelle Museum of Art, located at Lamberson Hall on the campus of William & Mary, is a culturally-rich art institution, serving as a dynamic resource for our community, a working laboratory for the university, and a platform for visiting exhibitions and the Museum’s own collection.
Through staff commitment, faculty expertise, student service, and community collaboration, the Museum is proud to bring to life many opportunities and experiences.
William & Mary received its first gift of art in 1732. Throughout the centuries, numerous gifts of art were received by the university and dispersed throughout the campus. William & Mary’s art collection held many treasures including historically significant American and English Colonial painters and sitters as well as modern works such as White Flower by Georgia O’Keeffe given by Mrs. John D. Rockefeller, Jr. in the 1930s. Early advocates for preservation and cataloguing the university’s art treasures included Dr. Earl Gregg Swem and Thomas Thorne. Later, in the 1970s, Dr. Miles Chappell along with art history students conducted a larger survey to determine what artworks were owned by William & Mary. The survey revealed that over nearly 300 years, the university had amassed a sizeable collection of art and established the need for a museum to preserve and protect them.
The Muscarelle Museum of Art was made possible by generous funds from alumni and friends. The Museum opened in 1983 with Dr. Glenn Lowry (current Director at the Museum of Modern Art, MoMA, in New York), serving as the first Director who oversaw the major building construction. The principal benefactor was Joseph L. Muscarelle (W&M ’27) and his wife Margaret, who generously supported the formation of a museum and whose family has continued their support throughout the years.
Subsequent gifts extended the collection beyond its roots in American portraiture; the treasures in the collection now span centuries, including works by Hans Hofmann, Pablo Picasso, Henri Matisse, and John Singleton Copley. Integrated into the design of the building was the “world’s first solar painting,” designed by Gene Davis, the noted Washington Color School painter. This design transforms the south façade of the Museum into a dramatic and innovative work of art when multi-colored tubes are illuminated from behind.
In 1987, the Museum underwent an expansion to nearly double its original size. At this time, Mark Johnson succeeded Glenn Lowry and oversaw the expansion. In 1994, Mr. Johnson took the position of Director of the Montgomery Museum of Fine Arts in Alabama, a post he held for twenty-three years. The third Director was Dr. Bonnie G. Kelm, who served from 1996 – 2002, and who recently retired from the University of California-Santa Barbara Art Museum.
The Muscarelle Museum of Art was accredited by the American Association of Museums (now American Alliance of Museums) in 1988 and received subsequent accreditations in 2000 and 2012. The Museum was the first university museum of art in the Commonwealth of Virginia to be accredited by the AAM. This distinction is held by fewer than five percent of museums in the U.S.
Aaron H. De Groft joined the Muscarelle as Director in 2005 and served until 2018. Dr. De Groft came to Williamsburg from the Ringling Museum in Sarasota, Florida, and is a 1988 graduate of William & Mary. His leadership reinvigorated the Museum and brought new life to exhibitions and programs. In 2021, De Groft became the Director & CEO of the Orlando Museum of Art.
David Brashear served as Interim Director from late 2018 through the summer of 2020, when he was appointed Director. Brashear has served on the Muscarelle Board of Trustees since 1999, serving as chair from 2004 to 2008. Since 2013, he has chaired the capital campaign for the Museum. In addition to his work with the Muscarelle, Brashear has a long history of involvement in the non-profit world and served in leadership roles at a variety of organizations focused on the arts and education.
The collection has continued to grow and now numbers close to 6,000 works of art from many cultures and historical eras. The strength of the collection is the holdings in English and American portraits of the seventeenth and eighteenth centuries that have national importance. Also included are a survey collection of European and American prints and drawings from the sixteenth through the twentieth centuries, Japanese prints, African art, Asian ceramics, and a remarkable collection of German Expressionist works on paper.
The Museum collection is supplemented and enhanced by numerous special exhibitions that bring works of art from public and private collections worldwide. These exhibitions provide opportunities for the viewing and study of material not otherwise available in this area. The Museum collaborates on special thematic exhibitions with academic departments at William & Mary and other cultural institutions and organizations. Numerous educational opportunities are offered throughout the year in conjunction with the Museum collection and loan exhibitions, including lectures, gallery talks, demonstrations, seminars, and symposia.