On View
Expanded Horizons: Native American Creativity at the Intersection of Culture and Art
Expanded Horizons: Native American Creativity at the Intersection of Culture and Art, curated by Muscarelle Curator of Native American Art Danielle Moretti-Langholtz, invites us to look beyond two dimensional “traditional” artwork by Indigenous artists and consider the impact of major movements in the wider art world leading to new directions in media, aesthetics, and creativity by Native American artists. See works by Jaune Quick-to-See Smith, Preston Singletary, Emmi Whitehorse, Michael Namingha, Starr Hardridge and George Morrison, among many others.
Docent-led tours of Expanded Horizons are available daily at 2:00 PM, Tuesday through Sunday. Tours last 20-30 minutes. No registration required; meet at the Visitor Services Desk.
VITAL: Our Irreplaceable Earth
Bringing together art and stories from eight international photographers, VITAL offers an intimate look at the places in nature we cannot afford to lose if we hope to stabilize our climate. These ecosystems contain vast stores of “irrecoverable carbon” accumulated over decades or centuries. If destroyed, the carbon released into the atmosphere will fuel climate change. This exhibition goes beyond the data to share the stories of these essential places, inviting visitors to experience the awe-inspiring power of nature and the people who protect it. From the tropical forests and peatlands of the Amazon to the temperate rainforests of North America, these photographs remind us what’s at stake — and why we must act.
A project curated by Ami Vitale, Lui-Walton Innovators Fellow at Conservation International, in collaboration with Scientist Allie Goldstein. Exhibition curation by Laura Covelli.
Presented in collaboration with Conservation International and Vital Impacts with support from the Lucille Godfrey Quattlebaum Muscarelle Museum Endowment, the Year of the Environment Committee and the Institute for Integrative Conservation.
Photo: © Reuben Wu / courtesy of Conservation International
Haiti to Harlem: Toussaint L’Ouverture & Jacob Lawrence
Where Late the Sweet Birds: Selected Works of Morgan Bulkeley, 1984-2025
Where Late the Sweet Birds represents selected works from Morgan Bulkeley’s expansive creative output across five decades. Bulkeley’s eclectic realm of symbolism is concerned with the ecological crisis of our time, which has remained at the center of his practice since the early 1970s. Where Late the Sweet Birds arrives at William & Mary during the Year of the Environment, a year-long celebration of our shared commitment to protecting our planet and the communities that depend on its health and resilience. This exhibition is curated by Patrick Harkin, Director of the Andrews Gallery, and is presented jointly by the Department of Art & Art History and the Muscarelle Museum of Art at William & Mary.
Founding the Alma Mater of the Nation
18th-20th Century American Paintings
A selection of works from the Museum’s permanent collection that present a range of eras and styles vital to the story of American Art are currently on view. Benjamin West, John Singleton Copley, Rembrandt Peale, Henry Ossawa Tanner, Childe Hassam, Georgia O’Keeffe, and John Sloan are among the important artists on exhibition.
18th-20th Century European Paintings
Upcoming
Faculty Show 16
Recent works of William & Mary’s studio art faculty, including visiting instructors and emeriti professors, will be featured in the exhibition Faculty Show 16 on view from October 17, 2025 through January 11, 2026. This exhibition will highlight the diverse talents of the William & Mary studio instructors in a variety of media including ceramics, drawing, painting, printmaking, photography and sculpture.
Liquid Commonwealth: The Art and Life of Water in Virginia
Co-sponsored by the Muscarelle Museum of Art and the Department of Art & Art History at William & Mary, Liquid Commonwealth seeks to explore the essential importance, richness, and beauty of water as a defining element of Virginia for all its residents. Works utilizing the theme of water in Virginia will be selected by a jury consisting of students enrolled in The Curatorial Project, a required practicum course for undergraduate students with a concentration in Art History, under the direction of Alan C. Braddock, Ralph H. Wark Professor of Art History, American Studies, and Environmental Humanities at William & Mary.
Submissions are now closed and are under review. Winners will be notified no later than September 30. Delivery of artwork will be accepted by appointment in early November.