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$100

100% tax deductible
Special $150 for two
Free admission to exhibitions, lecture series
Members-only hours exhibition access & exhibition preview days
Domestic travel opportunities
Free subscription to Muscarelle newsletters
20% off exhibition catalogues

$250

100% tax deductible
Associate membership benefits PLUS:
Reciprocal membership benefits with more than 600 North American art museums through NARM (North American Reciprocal Museum Association)

$500

100% tax deductible
Partner membership benefits PLUS:
Reciprocal membership benefits with more than 100 museums in the Southeast through SEMC (Southeastern Museums Conference)
One private docent-led tour for up to six guests
Early registration access for Muscarelle’s Members’ Events





+ Additional Membership Levels

From Regionalism to Abstract Expressionism

During the years of the Great Depression and the New Deal, American art was largely dominated by representational styles of American Scene and Regionalist painting and sculpture. After World War
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Conversation with Collector Christian Levett

Art collector and connoisseur Christian Levett will join Muscarelle Museum of Art Director David Brashear for a conversation about the origins of the art collection featured in Abstract Expressionists: The
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Radical Softness: A Talk by Janet Echelman

Janet Echelman sculpts at the scale of buildings and city blocks. Her works, exhibited across five continents, transform public spaces — inviting reflection and awe as they move with the
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Artist Lecture: Morgan Bulkeley

Join us for an evening celebrating Where Late the Sweet Birds, a new exhibition presented jointly by the Department of Art & Art History and the Muscarelle. Where Late the
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“This Is Not My Art”

The Art & Science Exchange hosts a presentation and discussion on “This Is Not My Art” by Adriano Marinazzo, Curator of Special Projects at the Muscarelle Museum of Art. In
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Michelangelo: The Tomb and the Vault

Livestream option now available for this sold-out lecture! Register via Zoom to attend virtually. Explore connections between Michelangelo’s original project for the Tomb of Pope Julius II and his Sistine
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