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Exhibition Archive

America in Black and White: Depression-Era Photographs from the Farm Security Administration

America in Black and White: Depression-Era Photographs from the Farm Security Administration

April 15, 2024 - December 6, 2024
The Muscarelle Museum of Art presents a selection of photographs from the Farm Security Administration, a New Deal-era project that...The Muscarelle Museum of Art presents a selection of photographs from the Farm Security Administration, a New Deal-era project that created a pictorial record of American life between 1935-1944 and launched the careers of American photographers such as Walker Evans, Dorothea Lange and Gordon Parks. America in Black & White documents the enduring power of photography as a catalyst for empathy, understanding, and social change. Through its evocative imagery and poignant narratives, the exhibition invites us to confront the complexities of our shared history and to engage with the enduring questions of identity, equality, and public policy in America. The Williamsburg Regional Library Gallery at the Stryker Center is open Monday through Friday, 9 AM to 5 PM. Docent-led tours of the exhibition will be available Wednesdays from 2-4 PM and Fridays from 10 AM to noon. Other tours provided by request.
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Nascent Themes from a Conversation of Fragments: Recent Collages by Clive Knights

Nascent Themes from a Conversation of Fragments: Recent Collages by Clive Knights

February 9, 2024 - May 18, 2024
Featured
We are pleased to partner once again with Professor of Art Elizabeth Mead and Associate Professor of Psychological Sciences Jennifer...We are pleased to partner once again with Professor of Art Elizabeth Mead and Associate Professor of Psychological Sciences Jennifer Stevens on the exhibition Nascent Themes From a Conversation of Fragments: Recent Collages by Clive Knights. Curated by Elizabeth Mead, the exhibition will serve as the laboratory portion for the class Neuroaesthetics: The Artist and the Mind taught by Mead and Stevens. The course and exhibition will examine the roles of creativity and cognition through the collage work of English artist and architect Clive Knights. Twenty-five works by Knights will be on view from Feburary 9 through May 18 at The Daily Grind lodge adjacent to the Sadler Center. This exhibition will bring first-hand experiential interaction with contemporary abstract art, inviting viewers to explore their internal response to the color, contrast, depth, tone, layering, texture and gesture of these intricate compositions. The Daily Grind is in the former Lodge 2 building, located between the Sadler Center and the McLeod Tyler Wellness Center. CLIVE KNIGHTS | Moby, 2022 | Collage on paper
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Student Photography Contest

Student Photography Contest

January 24, 2024 - February 29, 2024
Student Contest
The Muscarelle Museum of Art is proud to present an exhibition of student photography submitted as part of a competition...The Muscarelle Museum of Art is proud to present an exhibition of student photography submitted as part of a competition held in the fall semester of 2023. Juried by Cuban artist and photographer Adrián Fernández, this exhibition will feature photographic works by currently enrolled students at William & Mary from diverse disciplines.  “In today's globalized society, photography is one of the most immediate forms of artistic expression. As our world becomes smaller, more interconnected, diverse, fast-paced and chaotic, photography continues to be the medium of choice that reflects this complex reality and provides us with an accessible means of expression and interpretation,” says Fernández. This pop-up exhibition is on view at the WRL Gallery at Stryker Center at 412 N. Boundary Street in downtown Williamsburg, across from the public library. The Stryker Center is open Mon - Fri, 9 AM to 5 PM. Docent-led tours of the exhibition are available Wednesdays from 2 to 4 PM and Fridays from 10 AM to noon.
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Face to Face: Across Spaces and Places

Face to Face: Across Spaces and Places

November 3, 2023 - November 28, 2023
The Art History Fall 2023 Curatorial Project presents "Face to Face: Across Spaces and Places" on view November 3 –...The Art History Fall 2023 Curatorial Project presents "Face to Face: Across Spaces and Places" on view November 3 – 28, 2023 in Andrews Gallery. This exhibition examines representations of people, either as portraits or imagined images created by artists of their subjects. It includes self-portraits, identified portraits and unidentified studies of individuals, as well as images that are constructed and staged. It asks viewers to consider certain questions about the faces they see, such as: Who gets to construct images of themselves? Whose faces are you seeing and why? Whose faces are missing and why? Within the exhibition are several sections that guide you to consider specific questions on the representation of women, Indigenous cultures, alongside other faces, and places.
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40 Years of Art at the Muscarelle

40 Years of Art at the Muscarelle

August 21, 2023 - November 3, 2023
Permanent Collection
As we celebrate 40 years since our founding in 1983, explore the story of art at the Muscarelle and William...As we celebrate 40 years since our founding in 1983, explore the story of art at the Muscarelle and William & Mary. From the origins of the collection nearly 300 years ago, through the establishment of the Museum in the 1980s, to our exciting next chapter as we prepare to re-open the Muscarelle in the Martha Wren Briggs Center for the Visual Arts, this exhibition spans our past, present and future. Learn more about our most significant works of art and the people whose vision, perseverance and generosity established and sustained a home for art at William & Mary. The Williamsburg Regional Library Gallery at the Stryker Center is open Monday through Friday, 9 AM to 5 PM. Docent-led tours of the exhibition will be available Wednesdays from 2-4 PM and Fridays from 10 AM to noon. Other tours provided by request. Please note the Stryker Center is closed on Labor Day, Sept. 4, as well as Oct. 13.
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Carving Deep: J.J. Lankes’ American Story

Carving Deep: J.J. Lankes’ American Story

November 14, 2022 - December 5, 2022
The Art History Fall '22 Curatorial Project presents "Carving Deep: J J Lankes' American Story" on view November 14 –...The Art History Fall '22 Curatorial Project presents "Carving Deep: J J Lankes' American Story" on view November 14 – December 5 in Andrews Gallery. This exhibition has been curated by students in The Curatorial Project, under the direction of Professor Cristina Stancioiu. Participating students include: Madeline Dort, Olivia Gebreamlak, Daniel Kalish, Sandy Kelso, Isabella Kershner, Sophia Kim, Jessica Lightfoot, Lorelei Peterson, Faith Ronquest, Isabel Schreur, Lynn Trott, Sophie Vandevander, Anna Wershbale, Heidi Zmick.
Artist and author Julius John Lankes (American, 1884 -1960) produced his first woodcut print in 1917, carving and printing more than 1,300 designs over the course of his lifetime. Lankes was a leader in the craft of American woodcutting, as displayed by Lankes’ book, A Woodcut Manual (1932), the first complete text about woodcutting published in North America. Lankes is primarily known for these hundreds of detailed woodcut prints, as well as his friendships and working relationships with prominent contemporary authors, including Sherwood Anderson (American, 1876 - 1941) and Robert Frost (American, 1874 - 1963). While living in Hampton Roads, Virginia Lankes published his book, Virginia Woodcuts (1930), which featured and sought to preserve the historic landscapes of Tidewater Virginia. Ultimately, J.J. Lankes’ career was an extremely fruitful one; he created hundreds of images which display America as he observed it and desired it to be. Our interconnected world demands that every story is told with the inclusion of narratives of many. J.J. Lankes’ American story is no different. Considering the expansiveness of Lankes’ work and his narrative finesse, our exhibition explores the artist through his literary commissions, personal life, the mythologies that shaped his worldview, and the nature of the craft he chose.
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Faculty Show 15

Faculty Show 15

September 30, 2022 - December 11, 2022
Recent works of William & Mary’s studio art faculty, including visiting instructors and emeriti professors, will be featured in the exhibition Faculty Show...Recent works of William & Mary’s studio art faculty, including visiting instructors and emeriti professors, will be featured in the exhibition Faculty Show 15 on view from September 30 through December 11, 2022.  This exhibition will highlight the diverse talents of the William & Mary studio instructors in a variety of media including ceramics, drawing, painting, printmaking, photography, and sculpture.
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The Human Frame: Prints by Leonard Baskin

The Human Frame: Prints by Leonard Baskin

April 15, 2022 - September 25, 2022
This exhibition demonstrates Leonard Baskin’s use of the body as a vehicle for reflection, highlighting themes of mortality and morality...This exhibition demonstrates Leonard Baskin’s use of the body as a vehicle for reflection, highlighting themes of mortality and morality in the natural world. Part of a required practicum course for Art History majors, The Curatorial Project (ARTH 331), was directed by Charles Palermo, Professor of Art History. Students selected, researched, documented, and wrote didactic texts for The Human Frame from the Muscarelle’s growing collection of works by the important mid-20th century American artist Leonard Baskin. The exhibition allowed student curators the rare opportunity to work closely with museum professionals and conduct hands-on research for the collection.  Read more about the student experience here.  

Image citation: LEONARD BASKIN (American, 1922-2000) |  Leonard Baskin at 51, 1973  | Woodcut in black and green on Japanese rice paper | © artist's estate | Gift of Christian Vinyard | 2012.137
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Spark of Imagination: The Spectrum of Creativity

Spark of Imagination: The Spectrum of Creativity

February 18, 2022 - April 10, 2022
Spark of Imagination celebrated the ingenuity of American self-trained artists and their individual impulses to create. Along with special loans,...Spark of Imagination celebrated the ingenuity of American self-trained artists and their individual impulses to create. Along with special loans, the exhibition featured new acquisitions on view for the first time including works by Clementine Hunter, Helen LaFrance, Sister Gertrude Morgan, and Grandma Moses. Each of the artists represented showcase their own style and unique visual vocabulary that demonstrate an engaging spectrum of creativity.  

Image Caption: SISTER GERTRUDE MORGAN | American, 1900–1980 | And I Saw Another Angel | Paint and ink on card | © Artist’s Estate | Acquired with funds from the Board of Visitors Muscarelle Museum of Art Endowment | 2020.011
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Edgar Degas: The Private Impressionist

Edgar Degas: The Private Impressionist

February 12, 2022 - May 29, 2022
Works by Degas in this exhibition consisted of drawings, prints, photographs, monotypes, one sculpture, and a letter, all from a...Works by Degas in this exhibition consisted of drawings, prints, photographs, monotypes, one sculpture, and a letter, all from a single private collection. The collection endeavored to illuminate the background and personality of Edgar Degas the man, as well as to present his genius as an artist. The subject matter of these works by Degas is often quite personal. In addition to three rare self-portraits, the collection includes depictions of close family members, his loyal housekeeper Sabine Neyt, and multiple portraits of artists Édouard Manet and Mary Cassatt. Edgar Degas: The Private Impressionist highlighted the artist’s interests and individual methods of creating through experimentation and touches upon notable themes of Degas’ oeuvre such as anatomy, horse racing, and ballet.  Although often aloof to strangers, Degas shared warmth and loyalty with his family as well as with a wide circle of friends, which included some of the greatest writers and artists of the epoch.  Works by Degas’ circle in this exhibition included Mary Cassatt, Henri de Toulouse-Lautrec, Paul Cézanne, Édouard Manet, Camille Pissarro, and Edweard Muybridge, among others. Dpecial programming, through the series Muscarelle Explorations, focused on Degas and included lectures, a film, a book club discussion, and a concert of period music to further explore the cultural life of the artist and his peers.  In addition, a sequence of live drawing workshops in the galleries gave participants a special view of the exhibition and provided a deeper understanding of Degas’ methods and techniques.  Recordings of various programs are available through the Explorations page at Muscarelle.org!

EDGAR DEGAS & AUGUSTE CLOT | Before the Race, circa 1895 | Color lithograph Exhibition organized by Landau Traveling Exhibitions, Los Angeles, CA | www.a-r-t.com in association with Denenberg Fine Arts, West Hollywood, CA

Download Press Release (PDF)  
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MUSEUM EXPANSION: The Martha Wren Briggs Center for the Visual Arts

MUSEUM EXPANSION: The Martha Wren Briggs Center for the Visual Arts

February 12, 2022
Learn more about the upcoming Martha Wren Briggs Center for The Visual Arts, the new home for the Muscarelle Museum...Learn more about the upcoming Martha Wren Briggs Center for The Visual Arts, the new home for the Muscarelle Museum of Art, through our new exhibition detailing the project in the Spigel Gallery. The presentation includes images, drawings, floor plans, and a model—all designed to give visitors a detailed glimpse of our future!
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FOREVER MARKED BY THE DAY

FOREVER MARKED BY THE DAY

September 10, 2021 - January 23, 2022
The new World Trade Center is a space of remembering and healing, as well as a tribute to life and...The new World Trade Center is a space of remembering and healing, as well as a tribute to life and art. This place serves as a memorial designed to honor people and commemorate heroes and connects the past and the future to the present through architecture. The buildings and spaces designed by Daniel Libeskind, Michael Arad, David Childs, and Santiago Calatrava function as channels to find new purpose and peace after the attacks on September 11, 2001. Forever Marked By The Day pays homage to those architects, artists, designers, and photographers who made creativity triumph over destruction.  
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SHARED IDEOLOGIES

SHARED IDEOLOGIES

September 1, 2021 - February 13, 2022
Shared Ideologies, an exhibition of selected works by Native American artists from the 1970s to the present will offer visitors...Shared Ideologies, an exhibition of selected works by Native American artists from the 1970s to the present will offer visitors an opportunity to engage in a sociopolitical dialogue about the space between history and memory. Paintings and works on paper by artists such as the late T.C. Cannon (Kiowa, 1946 – 1978), Emmi Whitehorse (Navajo, born 1957), Cara Romero (Chemeheuvi, born 1977), Tom Poolaw (Kiowa/Delaware, born 1959), Julie Buffalohead (Ponca, born 1972) and several others, transcend the two-dimensional artwork by their elders that came to define Native American art. Shared Ideologies invites non-Native viewers into a dialogue with indigenous artists on themes that recenter master narratives of history and amplify both pan-Indian and tribally specific experiences while pondering a path to a shared future. A number of works from the Muscarelle Museum of Art’s Native American collection are being shown for the first time in this exhibition.
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The Curatorial Project: The Art of Well-Being

The Curatorial Project: The Art of Well-Being

April 16, 2021 - August 22, 2021
This exhibition—The Art of Well-Being—did not attempt to define either art or well-being. Rather it presented a range of works...This exhibition—The Art of Well-Being—did not attempt to define either art or well-being. Rather it presented a range of works from the collection of the Muscarelle Museum of Art selected to explore those ideas. The exhibition had five sections—individual; kin; community; natural world; and art-making. Individually and in groups, the paintings, drawings, prints, photographs, and other media shown expressed the needs, pleasures, desires, and aspirations of individuals, communities, and the wider world. At the same time the works chosen evoked the web of connections among these perspectives, whether providing a space for quiet contemplation or a call to action; freedom from worldly interests or concern for society; a reminder of communal bustle and conviviality or identification with the non-human. Art—as these choices suggest—is a way of knowing, doing, and being in the world that prompts reconsideration of what well-being means. It also provides a “language” (in the words of philosopher Nelson Goodman) with which to communicate complex ideas about the world. The language of art (which in all its iterations combines skill and creative thinking) has an advantage over many other languages in its nuance of approach and tolerance of ambiguity; art encourages complex thinking and empathy. Our hope is that reconsidering well-being through the lens of art will expand what that term means.

Image caption: FAITH RINGGOLD | American, born 1930 | The Sunflower Quilting Bee at Arles, 1996 | Color lithograph, 94/100 | Faith Ringgold © 1996 | Museum Purchase | 2000.023
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And still, movement

And still, movement

April 9, 2021 - August 8, 2021
The expression of motion within the still life of black and white photography embodies the curious nature of forms that...The expression of motion within the still life of black and white photography embodies the curious nature of forms that are simultaneously static and dynamic. Through a conversation between art and science, this installation of recent acquisitions in photography considers the motion of life as a process in natural and built environments and seeks to explore simplistic and entropic experiences. Developed by a team of undergraduate students nominated by faculty for their combined interest in art and science, these images represent their intersectional interest and serve as a visual representation between the interplay of art and science.

Curated by Macy Calder ‘21, Isabella Chalfant ‘22, Anna Mehlhorn ‘22, Sarah Morgan ‘21, Luke Mrini ‘23, Savannah Orsak ‘22, Lily Szalay ‘24, Abby Van Essendelft ‘21, and Mya White ‘21.  

Video
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Looking out, at, in, and back again

Looking out, at, in, and back again

October 16, 2020 - August 8, 2021
Looking is a very complex process—nearly as complex as seeing. It requires that we let go of what we know,...Looking is a very complex process—nearly as complex as seeing. It requires that we let go of what we know, so we can open ourselves to what we see. Or, as American artist Robert Irwin said, “Seeing is forgetting the name of the thing one sees.” Works of art are never merely mimetic representations, but rather entities in their own right. A visual language gives art its power regardless of whether or not we can name the thing we are looking at. Works of art always involve aspects of abstraction. To this extent, the notion of representation is false. What we actually see are merely marks of ink on paper, paint on a support, or the silver in paper. Using selected works from the Museum’s permanent collection and Swem Library’s Special Collections Research Center, Looking out, at, in, and back again views the ways in which representation uses abstraction and abstraction uses representation. The exhibition serves as a laboratory for the class Neuroaesthetics: The Artist and the Mind taught by W. Taylor Reveley Interdisciplinary Faculty Fellows Jennifer Stevens of the Department of Psychological Sciences & the Neuroscience Program and Elizabeth Mead of the Department of Art & Art History. This exhibition is curated by Elizabeth Mead with student contributions by Sunny Ahn, Feyza Ciger, Gwyn Evans, Ashley Green, Carter Helmandollar, Jemela Kanu, Harper Kolenbrander, Maggie McGinley, Sarah Morgan, Leah Moyer, Jillian Ragno, Zoe Rogers, Lindsay Stolting, Francisca Swisher-Gomez, and Margot Szamosszegi.

Curator Talk: Looking out, at, in, and back again with Elizabeth Mead (Video)

Image caption: JULIA MARGARET CAMERON | English, 1815 - 1879 | A Study of The Cenci, 1870 | Albumen print | Gift of Joseph C. French, Jr. | 2017.120
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Scales of Chaos: The Dance of Art & Contemporary Science

Scales of Chaos: The Dance of Art & Contemporary Science

September 23, 2020 - April 11, 2021
Curated by the nine William & Mary students in Professor Xin Conan-Wu’s class The Curatorial Project, Scales of Chaos: The...Curated by the nine William & Mary students in Professor Xin Conan-Wu’s class The Curatorial Project, Scales of Chaos: The Dance of Art & Contemporary Science presented fresh ways of reading art, and of artworks that embody a sensible intuition of complex phenomena. Scales of Chaos: The Dance of Art & Contemporary Science was originally scheduled to open on April 17 in our first floor Sheridan gallery. Professor Conan-Wu and the students in The Curatorial Project quickly adapted after the university’s suspension of in-person instruction due to the COVID-19 pandemic. They accomplished all curatorial tasks, recorded videos discussing the featured works and why they were chosen, created an interactive 3-D virtual exhibition, and produced an exhibition catalogue. After the completion of their class the Museum staff and Professor Conan-Wu stayed in close contact hoping to eventually share the exhibition that the students worked so hard on. The Museum is pleased to announce that we mounted a modified version of Scales of Chaos in our second floor galleries. Additionally, an online exhibition documenting the collaborative process and behind-the-scenes work as well as the student created digital elements of the exhibition will be available on VIRTUAL MUSCARELLE as an online companion. Adriano Marinazzo, Curator of Digital Initiatives at the Muscarelle, says that this project is a key example of how “the Museum’s digital platform can serve and elevate the merging of liberal arts and digital humanities.” A number of institutions and individuals at William & Mary made this project possible, including staff at the Muscarelle Museum of Art, Department of Art & Art History, Special Collections Research Center of the Swem Library, and University Communications Web & Design.
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In Focus: New Acquisitions in Photography

In Focus: New Acquisitions in Photography

February 8, 2020 - October 11, 2020
In Focus was originally scheduled to run from February 8 through April 7, 2020. In light of current conditions the...In Focus was originally scheduled to run from February 8 through April 7, 2020. In light of current conditions the Museum has extended the exhibition through October 11, 2020. The Museum strives to build the collection in meaningful and strategic ways, including a commitment to inclusivity and representation. It became apparent during a survey of the greater collection that photography remains an under-represented media in the Museum’s overall holdings.  With this knowledge and the 2015 launch of the photography program at William & Mary, the Muscarelle is pleased to announce we have seen growth in this area due to generous donations and gifts from alumni and individuals coupled with an active collecting initiative by the Museum. To highlight these new acquisitions in photography, the Muscarelle Museum of Art presented a new exhibition entitled In Focus.  Photographs in this exhibition display a diversity of process and subject matter.  Artists represented include John “Bear” Allison, Markus Brunetti, Julia Margaret Cameron, Kristin Capp, Edward Curtis, Roy DeCarava, Donna Ferrato, Jon Gilbert Fox, Sally Gall, Ralph Gibson, Thurston Hopkins, David Levinthal, Fred J. Maroon, Duane Michals, Ruth Orkin, Vesna Pavlović, Frank Rinehart, Cara Romero, Charles Sheeler, Julius Shulman, Ezra Stoller, Joyce Tenneson, Carleton Watkins, and William Wegman.

Image caption: JOYCE TENNESON | American, born 1945 | Mimi Weddell, 85 from the Wise Women series, 2000 | Archival pigment print | © Joyce Tenneson | Gift of Sumit Agarwal and Madhushree Goenka (MBA, Class of 2005) | 2016.266
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American Vision: A Tribute to Carroll Owens, Jr.

American Vision: A Tribute to Carroll Owens, Jr.

February 8, 2020 - April 4, 2021
American Vision: A Tribute to Carroll Owens, Jr. was originally scheduled to run from February 8 through April 7, 2020....American Vision: A Tribute to Carroll Owens, Jr. was originally scheduled to run from February 8 through April 7, 2020. In light of current conditions the Museum has extended the exhibition through January 10, 2021. The Muscarelle Museum of Art is a fortunate beneficiary of The Owens Foundation here at William & Mary. The Foundation was created and facilitated by Carroll Owens, Jr., W&M ‘62 and his wife, Patrisia B. Owens, W&M ’62. The Owens Foundation generously provides support to departments on the campus as well as awarding the Monroe scholarship to one undergraduate student per class. One of the ways that The Owens Foundation has contributed to the Museum and our mission is through several key loans to the collection. In honor of Carroll Owens, Jr. and his service to the Muscarelle and William & Mary, the Museum displayed a selection of works from this collection including paintings by Thomas Cole, Robert Henri, Childe Hassam, and Edward Potthast among others.
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1619 / 2019

1619 / 2019

November 6, 2019 - January 26, 2020
This exhibition marked the 400th anniversary of the arrival of the first documented African slaves in Colonial Virginia that, while...This exhibition marked the 400th anniversary of the arrival of the first documented African slaves in Colonial Virginia that, while part of the greater narrative of slavery in the Americas, helped to set into motion the ongoing repercussions of this historical event.  As a contemporary response to the 1619 commemoration in Virginia, 1619 / 2019  featured art works from African American and Native American emergent and established artists in a variety of media expressing a complexity of experience, addressing the past and present. Participating artists included Sonya Clark, Nell Painter, Katrina Andry, Sedrick Huckaby, Preston Jackson, Delita Martin, Jerushia Graham, Letitia Huckaby, Richard Ward, Elmer Yazzie, Steve Prince, Dayon Royster, Kimberly Dummons, Bear Allison and Donald Wilson. Works from the Museum’s permanent collection augmented the exhibition including Charlie Pratt, Rose Powhatan, Bunky Echo-Hawk, Willie Cole, Elizabeth Catlett, John Biggers and Charles White.  Recently acquired works from Cara Romero and Danny Simmons along with original poems by Hermine Pinson, William & Mary Professor of English & Africana Studies, offered additional opportunities for reflection on the powerful subject matter of this exhibition. Due to continued community support, the Muscarelle is pleased to announce that we have extended the exhibition through January 26, 2020.
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Faculty Show 14

Faculty Show 14

October 4, 2019 - October 27, 2019
Faculty Show 14 highlighted the diverse talents of the William & Mary studio instructors and emeritus professors in a variety of media...Faculty Show 14 highlighted the diverse talents of the William & Mary studio instructors and emeritus professors in a variety of media including drawing, painting, photography, printmaking, sculpture, ceramics and installation art.  A long-standing collaboration between the Museum and the Department of Art & Art History, participating artists included William Barnes, David Campbell, Lewis Cohen, Suzanne Demeo, Michael Draeger, Eliot Dudik, Michael Gaynes, Mike Jabbur, Marlene Jack, Brian Kreydatus, John Lee, Jayson Lowery, Elizabeth Mead, Edwin Pease, Kristen Peyton, and Nicole McCormick Santiago.     
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The Adjacent Possible

The Adjacent Possible

August 27, 2019 - September 27, 2019
This exhibition considered neuro-aesthetics and brought first-hand experiential interaction with contemporary abstract works from a distinguished group of living artists...This exhibition considered neuro-aesthetics and brought first-hand experiential interaction with contemporary abstract works from a distinguished group of living artists composed of Michelle Benoit, Phil Chang, Stefan Chinov, Jaynie Crimmins, Sara Dochow, Diane Englander, Pamela Farrell, Karen Fitzgerald, Helen O’Leary, Lorraine Tady, Jo Volley and Susan York. The twelve invited artists make work that moves back and forth between two and three dimensions. Some are painters who work three dimensionally while others work in and across dimensions and mediums.  

Join the exhibition curator Elizabeth Mead, Professor of Art, W. Taylor Reveley Interdisciplinary Faculty Fellow, Department of Art & Art History, William & Mary, for walking tours of the exhibition from 12 to 1 PM on the following dates: September 6, 13 and 27.  

'The Adjacent Possible': Abstract relationships (Video)    
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Sankofa: Looking Back, Moving Forward

Sankofa: Looking Back, Moving Forward

May 1, 2019 - June 17, 2019
Sankofa is an Adinkra symbol from Ghana, which translates as "to look into one's past in order to move forward." Sankofa:...Sankofa is an Adinkra symbol from Ghana, which translates as "to look into one's past in order to move forward." Sankofa: Looking Back, Moving Forward was composed of drawings and prints by artist Steve Prince. His work offers a candid look into America's past and challenges us to look deeper for meaning and understanding of how we have collectively arrived at this juncture in history. The art challenges us to not only be cognitive of the history and the scars we have sustained, but also posits a message of hope for communal renewal if we dare work together to solve the deep-set communal issues.   The artist will be in residence at the Stryker Center, ready to engage with visitors while he completes his latest drawing from the series May 13 - 17, 2019. Please join Prince at the Stryker Center on Monday, Wednesday and Friday from 11:00 AM to 2:00 PM and on Tuesday/Thursday from 5:30 to 7:30 PM.  

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Objects of Ceremony: Effervescence, Decay, and the Everyday

Objects of Ceremony: Effervescence, Decay, and the Everyday

April 5, 2019 - June 6, 2019
This spring, William & Mary students curated this exhibition as part of a required practicum course for Art History majors...This spring, William & Mary students curated this exhibition as part of a required practicum course for Art History majors called The Curatorial Project (ARTH 331). The exhibition explored ceremony as a vital cultural impulse expressed by communities and individuals around the world through an incredible diversity of artistic forms and objects, some grand and some quotidian, some celebratory and others somber. Drawing upon collections at the Muscarelle, Special Collections Resource Center at William & Mary Libraries, and elsewhere around William & Mary, along with sociological ideas about the effervescent liveliness of communal artifacts. Objects of Ceremony presented a rich and complex portrait of ritual events that shape and define daily life.

Free to Members, W&M Students, Faculty, and Staff. Non-Members: $5 Reserve or purchase tickets here!

Image citations (left to right): AMALIA MESA-BAINS | American, b. 1943 | Plants of Mourning, Remembrance of Things Past (detail), 1997 | Digital print on Arches Aquarelle | © Amalia Mesa-Bains | Purchase, the Michael Darren Kelm Memorial Fund and the Kelm-Malis Family | 2000.020; WAYNE MORTON THIEBAUD | American, 1920 - 2011 | Eight Lipsticks, 1988 | Color drypoint and etching | © 2019 Wayne Thiebaud / Licensed by VAGA at Artists Rights Society (ARS), NY | Purchase, Jean Outland Chrysler Fund | 1988.084; CAROLYN AUTRY | American, 1940 - 2011 | Relationship of Things ─ Belief XXXV (detail), 1981 | Line etching and aquatint | © Estate of the artist | Gift of Peter Elloian in Memory of his wife Carolyn Autry | 2018.051; TORII KOTONDO | Japanese, 1900 – 1976 | Tomomori (detail), c. 1950 | Woodblock print | Gift of David Libertson | 2016.255
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Guerrilla Girls: Conscience of the Art World

Guerrilla Girls: Conscience of the Art World

February 10, 2018 - May 13, 2018
We are proud to present Guerrilla Girls: Conscience of the Art World in the Herman Graphic Arts Room as part...We are proud to present Guerrilla Girls: Conscience of the Art World in the Herman Graphic Arts Room as part of the commemoration of the 100th anniversary of coeducation at William & Mary and in Virginia. In 2017, the Museum acquired the Guerrilla Girls Portfolio Compleat, a portfolio that contains over 125 posters and projects created by the Guerrilla Girls from 1985 through 2016.  Since 1985 and even more stridently today, the Guerrilla Girls have been concerned with broader discrimination; particularly social oppression related to race, class, and gender.  In this exhibition you will see how the Guerrilla Girls use a combination of humor, advertising styled graphics and statistics to openly protest the imbalance of men and women artists in galleries and museums worldwide.
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Women With Vision: Masterworks from the Permanent Collection

Women With Vision: Masterworks from the Permanent Collection

February 10, 2018 - March 18, 2018
The Muscarelle Museum of Art is proud to present Women With Vision: Masterworks from the Permanent Collection in conjunction with...The Muscarelle Museum of Art is proud to present Women With Vision: Masterworks from the Permanent Collection in conjunction with William & Mary's 100 Years of Women celebration. This exhibition featured over thirty works by prominent women artists from the permanent collection and was comprised of a variety of media styles and time periods expressing their vision.

Press release available here.

Image Citation: GEORGIA O’KEEFFE | American, 1887 – 1986 | White Flower, 1932 | Oil on panel | Muscarelle Museum of Art at the College of William & Mary | Gift of Mrs. John D. Rockefeller, Jr. | © Georgia O'Keeffe Museum, ARS | 1934.007
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In the Light of Caravaggio: Dutch and Flemish Paintings from Southeastern Museums

In the Light of Caravaggio: Dutch and Flemish Paintings from Southeastern Museums

February 10, 2018 - May 13, 2018
In the Light of Caravaggio: Dutch and Flemish Paintings from Southeastern Museums featured important Caravaggesque paintings from the renowned collections...In the Light of Caravaggio: Dutch and Flemish Paintings from Southeastern Museums featured important Caravaggesque paintings from the renowned collections of the National Gallery of Art in Washington, North Carolina Museum of Art, Speed Museum, Bob Jones University Museum & Gallery, and Chrysler Museum of Art including recent acquisitions to the collection of the Muscarelle.  As seen previously in 2014 at the Muscarelle Museum of Art, Michelangelo Merisi called Caravaggio (Italian, 1571-1610), had an enormous influence on Baroque art with his dramatic use of light and emotive realism.  Paintings by Rembrandt, ter Brugghen, van Baburen, Honthorst, Janssen and Rombouts exemplify Caravaggio’s influence on Dutch and Flemish painters of the seventeenth century.  This rare gathering of masterworks, on view together for the first time in twenty years, provided a unique opportunity for Muscarelle visitors to see an embarrassment of riches from Southeastern Museums.

Press release available here.

Image citation: DIRCK VAN BABUREN | Dutch, c. 1590 - 1624 | Narcissus Gazing at his Reflection (detail), c. 1621-1622 | Oil on canvas | Muscarelle Museum of Art at the College of William & Mary | Acquired with funds from the Board of Visitors Muscarelle Museum of Art Endowment | 2016.003
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Fred Eversley, 50 Years an Artist: Light & Space & Energy

Fred Eversley, 50 Years an Artist: Light & Space & Energy

September 2, 2017 - December 10, 2017
Fred Eversley, 50 Years an Artist: Light & Space & Energy features a survey of the artist's work representing an...Fred Eversley, 50 Years an Artist: Light & Space & Energy features a survey of the artist's work representing an extraordinary fifty-year career.  Eversley, trained as an engineer, began making his polyester resin sculptures with an aim to “create kinetic art without using kinetic elements such as mechanical movement or artificial light changes.”  Eversley’s strong interest in energy  has led to further creations that utilize wind current to create dynamic acrylic cast forms.  This retrospective exhibition featuring the works of Fred Eversley, an important African American sculptor and innovator, will coincide with the College’s fiftieth anniversary of the first residential African American students.  Interestingly, as the artist has pointed out to us, the dates of desegregation at the College of William & Mary in September 1967 is the exact month and year that he embarked on his exceptional career as an artist.

Image citation: Fred Eversley | American, b. 1941 | Blue Para, 2004 | Cast polyester resin | 20 x 20 x 6 inches | Muscarelle Museum of Art | Photo: Maria Larsson
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Fire and Clay: New Acquisitions of Chinese Antiquities

Fire and Clay: New Acquisitions of Chinese Antiquities

May 6, 2017 - August 13, 2017
This exhibition represents a celebration and first public showing of an outstanding collection of Chinese art recently donated to the Muscarelle Museum...This exhibition represents a celebration and first public showing of an outstanding collection of Chinese art recently donated to the Muscarelle Museum of Art.  The generous gift comprised of twenty-one superb works, covers an arc of almost two thousand years of the world’s greatest tradition of pottery-making, dating from circa 475-221 BC in clay and 400-201 BC in bronze spanning through 1279-1368 AD.  In the course of this journey, the exhibition and the visitor will encounter enchanting examples from two golden ages of Chinese art, the Han Dynasty (206 BC–220 AD) and culminating in the Tang Dynasty (618–906 AD).

Curated by Dr. John T. Spike with assistance from Phoebe Warren (W&M '17) and Abigail Bradford (W&M '17).

Press release is available here.
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The Bones of the Earth: Scholars’ Rocks and the Natural World in Chinese Culture, Selections from the Robert Turvene Collection

The Bones of the Earth: Scholars’ Rocks and the Natural World in Chinese Culture, Selections from the Robert Turvene Collection

April 21, 2017 - August 13, 2017
In Chinese philosophy and ancient legend, Scholars’ rocks were viewed as “the bones of the earth”. Since the Song dynasty...In Chinese philosophy and ancient legend, Scholars’ rocks were viewed as “the bones of the earth”. Since the Song dynasty (960–1279), these natural sculptures have been regarded as artifacts of the sacred relationship between man and nature and described in folklore as otherworldly. Collectors of these stones use them for contemplation and inspiration. The selections on view at the Muscarelle Museum of Art are part of larger group and promised gift from the Collection of Robert Turvene (W&M '53) and are comprised of every revered type including Lingbi, Ying, Taihu, Mohu, Nine Dragon, Kun, Meng and Three Gorges. Curated by Lowry Palmer (W&M '17) and Elizabeth Dowker (W&M '20).
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Building on the Legacy

Building on the Legacy

March 21, 2017 - March 21, 2018
Building on the Legacy: African American Art from the Permanent Collection is comprised of more than thirty paintings, drawings, works...Building on the Legacy: African American Art from the Permanent Collection is comprised of more than thirty paintings, drawings, works on paper and sculptures by some of this country's most renowned artists.  This academic year of 2017-2018, the College of William & Mary commemorates the fiftieth anniversary of the first African American students in residence: Lynn Briley, Janet Brown and Karen Ely.  In honor of this milestone, the Muscarelle Museum of Art is proud to showcase works from the permanent collection that encompasses a variety of media, styles and time periods, exemplifying the plurality of vision among these accomplished artists.  The selection embraces a panoply of approaches, ranging from the nineteenth-century realism of Henry Ossawa Tanner to the contemporary conceptualism of Martin Puryear.  The subjects include portraiture by realist and folk artists, black-and-white abstractions and colorful landscapes, including recent acquisitions. Press release available here. Image Credits: WILLIE COLE | American, born 1955 | Five Beauties Rising, 2012 | Intaglio and relief, ed. 7/9 | © Willie Cole and Highpoint Editions | Acquired with funds from the Board of Visitors Muscarelle Museum of Art Endowment (Image credit line: Image Courtesy of Highpoint Editions and the Artist | Photo credit: David Kern) | 2017.003,1-5
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Written in Confidence: The Unpublished Letters of James Monroe

Written in Confidence: The Unpublished Letters of James Monroe

February 11, 2017 - May 21, 2017
Unpublished and on view for the first time, these letters are an important new resource for research and scholarship, providing...Unpublished and on view for the first time, these letters are an important new resource for research and scholarship, providing viewers with a unique, inside glimpse of the man who served as President of the United States from 1817 to 1825.  Playing out as a drama in letters, these documents shed light on Monroe’s deliberations, particularly when making political appointments, revealing the sometimes uneasy task of granting positions of power.  The letters’ exhibition and their accessibility to researchers at the Special Collections Research Center create the exciting potential for new discoveries. Uncovering lost details of Monroe’s life and leadership, they provide a new lens through which to view one of the nation’s early leaders. wm-libraries-logo_web-large [Monroe-Crawford Letters, 1816-1822, Special Collections Research Center, Earl Gregg Swem Library, William & Mary Libraries.]
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Botticelli and the Search for the Divine: Florentine Painting between the Medici and the Bonfires of the Vanities

Botticelli and the Search for the Divine: Florentine Painting between the Medici and the Bonfires of the Vanities

February 11, 2017 - April 5, 2017
The restless genius of Sandro Botticelli (Florence, 1445-1510) is explored in depth in the most important Botticelli exhibition ever seen...The restless genius of Sandro Botticelli (Florence, 1445-1510) is explored in depth in the most important Botticelli exhibition ever seen in the United States, Botticelli and the Search for the Divine; a major international loan exhibition organized by the Muscarelle Museum of Art in Williamsburg, Va., in partnership with Italy’s Associazione Culturale Metamorfosi.  Every phase of the artist’s tumultuous career is represented in this selection, as well as nine works by his master Filippo Lippi, the only pupil of Masaccio. Botticelli was guided to success by the Medici dynasty, the patrons for sacred altarpieces and sensuous paintings of classical mythology, including several in this unprecedented exhibition. After the fall of the Medici, many of his paintings were lost in the bonfires of the vanities.

In the fourth such partnership, the exhibition will travel to the Museum of Fine Arts, Boston as its only other venue and will include one of only two of Botticelli’s paintings of an isolated Venus, on view for the first time in the United States.  This exhibition is curated by Dr. John T. Spike.

February 11 – April 5, 2017 at the Muscarelle Museum of Art and April 15 – July 9, 2017 at the Museum of Fine Arts, Boston
Public tours will be held at the following times:
Wednesday at 6:00 PM
Friday at 11:00 AM, 12:00 PM, 1:00 PM, and 2:00 PM
Saturday & Sunday at 11:00 AM, 12:00 PM, 1:00 PM, 2:00 PM, and 3:00 PM

Download the Exhibition Brochure

Press Release Available Here

Image credit: Sandro Botticelli and workshop | Venus (detail) | Oil on canvas, transferred from wood panel | Galleria Sabauda, Turin, lnv. 172
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The Art and Science of Connoisseurship

The Art and Science of Connoisseurship

February 11, 2017 - August 13, 2017
The Art and Science of Connoisseurship explores the creative narrative behind six paintings attributed to Agnolo Bronzino, Annibale Carracci, Guido...The Art and Science of Connoisseurship explores the creative narrative behind six paintings attributed to Agnolo Bronzino, Annibale Carracci, Guido Reni, Peter Paul Rubens, Peter Lely, and Paul Cézanne.  This exhibition presents a series of visual examinations and scientific analyses that address the questions of who, what, where, when, and why surrounding these recently-acquired paintings.  From observations of stylistic progression and considerations of an artist’s chronology, to the identification of retouched surfaces and studies of paint samples, each of the Muscarelle’s new works presents distinctive issues in connoisseurship.
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A Deed Well Done: Thomas Jefferson’s 1783 Honorary Degree

A Deed Well Done: Thomas Jefferson’s 1783 Honorary Degree

February 10, 2017 - August 30, 2017
Thomas Jefferson’s Honorary Degree , from collection of the Massachusetts Historical Society, is the only diploma Jefferson received from his...Thomas Jefferson’s Honorary Degree , from collection of the Massachusetts Historical Society, is the only diploma Jefferson received from his alma mater and confers upon him “gladly and eagerly of the degree of doctor in the civil law.”  This pocket exhibition focuses on Jefferson’s years at William & Mary and the mentors who helped shaped the mind of the third President of the United States.

This exhibition is co-sponsored by the Office of the President at William & Mary.  Read more about Jefferson's diploma here.
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Building the Brafferton: The Founding, Funding and Legacy of America’s Indian School

Building the Brafferton: The Founding, Funding and Legacy of America’s Indian School

September 10, 2016 - January 8, 2017
Constructed in 1723, the Brafferton Indian School remains a strong visual symbol on the campus of the College of William...Constructed in 1723, the Brafferton Indian School remains a strong visual symbol on the campus of the College of William & Mary. This is the first exhibition to examine the history of the Brafferton within the wider trans-Atlantic networks of trade, politics of church and state, and Great Britain’s colonial enterprise in North America.  New research on the Brafferton connects Indian students from the Pamunkey, Cherokee, Nottoway, and Wyandot tribes, to wider narratives of our shared past.  Historical paintings, engravings, archival documents, and contemporary Native American Art, are assembled to explore the founding, funding, and legacy of one of the nation's oldest and most esteemed institutions of higher learning.

Curated by Danielle Moretti-Langholtz, Ph.D., Department of Anthropology and the Muscarelle Museum of Art, and Buck Woodard, Ph.D., American Indian Initiative, Division of Historical Research and Interpretation, Colonial Williamsburg Foundation.

Press Release Available Here

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Hark Upon a History: The 1929 Journey to England

As a companion exhibition to Building the Brafferton: The Founding, Funding and Legacy of America’s Indian School, Hark Upon a History is dedicated to William & Mary President Julian Alvin Carroll Chandler’s journey to explore and shed light on the English heritage of the College. In the spring of 1929, President Chandler and school architect, Charles Morrison Robinson, set sail for England. The pair were on a mission to investigate the history of the College and the origins of the Brafferton, which up until that point lay forgotten. This exhibition marks the first time that materials pertaining to their journey are on view. Curated by Sydney Stewart, ’16 and Michaela Wright, ’16, Hark upon a History  will be on display in the Herman Graphic Arts Study Room.  
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Contemporary American Marine Art: 17th National Exhibition of the American Society of Marine Artists

Contemporary American Marine Art: 17th National Exhibition of the American Society of Marine Artists

September 10, 2016 - December 2, 2016
Hosted every three years by museums across the U.S., the American Society of Marine Artists (ASMA) holds a juried competition...Hosted every three years by museums across the U.S., the American Society of Marine Artists (ASMA) holds a juried competition for the best in contemporary marine art.  ASMA is a non-profit educational organization whose purpose is to recognize and promote marine art and maritime history, and to encourage cooperation among artists, historians, academics, enthusiasts and others engaged in activities relating to marine art.  The Muscarelle Museum of Art kicks off the national tour in conjunction with the First National Marine Art Conference in Williamsburg (September 8-11).

Unique to the Muscarelle display, the Museum will partner with the Virginia Coastal Policy Center (VCPC) at the College of William & Mary Law School for a series of lectures featuring marine topics ranging from sea level rise, to the Clean Power Plan and the health of the Chesapeake Bay.  Through the First Tuesday Lecture Series, free and open to the public, the Museum will serve as a neutral space for open dialogue about complex coastal resource management issues among a backdrop of more than 120 works of art from the nation’s leading marine artists.
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Curators at Work VI

Curators at Work VI

April 16, 2016 - August 14, 2016
Our signature series, Curators at Work, returns in its sixth installment and features significant works from the permanent collection as...Our signature series, Curators at Work, returns in its sixth installment and features significant works from the permanent collection as well as exciting recent acquisitions. This annual exhibition provides the opportunity for undergraduate students from the College of William & Mary to serve as curators under the direction of Dr. John T. Spike in his seminar Curating, Collecting and Connoisseurship (INTR 220-01).
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Museumscopes: Photography by Massimo Pacifico

Museumscopes: Photography by Massimo Pacifico

April 16, 2016 - August 14, 2016
The Muscarelle Museum of Art is pleased to announce the North American premiere of Museumscopes: Photography by Massimo Pacifico,  a...The Muscarelle Museum of Art is pleased to announce the North American premiere of Museumscopes: Photography by Massimo Pacifico,  a colorful exhibition on the surprising theme that laughter, tears, sleeping and dancing happen every day – even in museums.  In his worldwide travels to shoot stories on five continents, renowned Italian photographer Massimo Pacifico discovered along the way that museums are also great places to see people just being themselves.  He focuses his lens to portray, sometimes with humor and always with sensitivity, the expressions and gestures of his fellow visitors as they stand, watch, ignore or mimic, the statues and paintings all around them.
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Norman Rockwell and the Boy Scouts

Norman Rockwell and the Boy Scouts

February 6, 2016 - April 21, 2016
On loan from the National Scouting Museum in Irving, Texas, are nine paintings by Rockwell (1894-1978), famed for his nostalgic...On loan from the National Scouting Museum in Irving, Texas, are nine paintings by Rockwell (1894-1978), famed for his nostalgic and patriotic depictions of 20th-century American life. The National Scouting Museum contains the largest collection of Rockwell’s Scout paintings anywhere in the world. The exhibition is dedicated to William & Mary Chancellor and former U.S. Defense Secretary Robert Gates ’65, who became president of the Boy Scouts of America in May 2014. It also commemorates important anniversaries for both organizations: on February 8, William & Mary was chartered in 1693 and the Boy Scouts of America was founded in 1910. The National Scouting Museum and the Muscarelle Museum of Art celebrate their partnership on the university’s Charter Day weekend in association with this shared anniversary.
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Hiroshige’s 53 Stations of the Tokaido

Hiroshige’s 53 Stations of the Tokaido

February 6, 2016 - August 21, 2016
Hiroshige’s 53 Stations of the Tokaido  explores the most traveled road in old Japan with fresh eyes. This exhibition presents...Hiroshige’s 53 Stations of the Tokaido  explores the most traveled road in old Japan with fresh eyes. This exhibition presents five distinct complete sets of Hiroshige’s The 53 Stations of the Tokaido Road never before displayed together. Centering on the fifty-five woodblock prints of Hiroshige’s famed first set, the Hoeido Tokaido (1832-1833, oban), the four additional series reveal the spectrum of Hiroshige’s visual poetry: Sanoki Tokaido (late 1830s, bound, chuban); Gyosho Tokaido (c. 1841-1842, aiban); Tsutaya Tokaido (c. 1850, bound, chuban); Upright Tokaido (1855, oban).  Hiroshige’s Tokaido  immerses the viewer in a panoramic view of the Tokaido and Hiroshige’s romance with the landscape of Japan. All works in this exhibition are on loan from the Ronin Collection of the Ronin Gallery, New York.

Press Release Available Here
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Light Works: A Century of Great Photography

Light Works: A Century of Great Photography

February 6, 2016 - April 10, 2016
From Eadweard Muybridge's 19th-century photographic studies of animal locomotion to Richard Misrach's contemporary chromogenic prints, Light Works  explores the history...From Eadweard Muybridge's 19th-century photographic studies of animal locomotion to Richard Misrach's contemporary chromogenic prints, Light Works  explores the history of photography. Alfred Stieglitz, Edward Curtis, Ansel Adams, Dorothea Lange, Diane Arbus, Richard Avedon and many other celebrated photographers are highlighted in this exhibition.  Drawn primarily from the Kalamazoo Institute of Arts, Light Works   also features works from the Muscarelle Museum of Art permanent collection as well as important loans.

Photo credit: EADWEARD MUYBRIDGE, Animal Locomotion, Man with a Donkey, 1887, collotype.  Collection of the Kalamazoo Institute of Arts; Gift of Wm John Upjohn.

Press Release Available Here
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Faculty Show 13

Faculty Show 13

September 12, 2015 - January 17, 2016
Recent works of the teaching studio art faculty including visiting instructors and emeriti professors of The College of William &...Recent works of the teaching studio art faculty including visiting instructors and emeriti professors of The College of William & Mary are featured in Faculty Show 13.  This exhibition encompasses a variety of media including ceramics, drawing, painting, photography, printmaking and sculpture.  A long-standing collaboration between the Museum and the Department of Art & Art History, Faculty Show 13  includes works from the following artists: William Barnes, David Campbell, Linda Carey, Lewis Cohen, Suzanne Demeo, Michael Draeger, Eliot Dudik, Michael Gaynes, Kathleen Hall, Mike Jabbur, Marlene Jack, Brian Kreydatus, John Lee, Jayson Lowery, Elizabeth Mead, Ed Pease and Nicole M. Santiago.

Press Release Available Here
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Curators at Work V

Curators at Work V

May 2, 2015 - August 30, 2015
This exhibition is the culmination of the Curating, Collecting and Connoisseurship seminar taught under the tutelage of Dr. John T....This exhibition is the culmination of the Curating, Collecting and Connoisseurship seminar taught under the tutelage of Dr. John T. Spike.  Fifth in the series, students have the opportunity to step into the role of exhibition curators as they select prints and drawings from the permanent collection.  The Museum serves as a laboratory for experiential undergraduate learning and, for this exhibition, students research and write the text that document the social and political context of individual works.  The exhibition primarily focuses on new acquisitions and covers a broad spectrum of time periods, styles and media.
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Twilight of a Golden Age: Florentine Painting After the Renaissance

Twilight of a Golden Age: Florentine Painting After the Renaissance

April 25, 2015 - January 17, 2016
On view through January 2016, Twilight of a Golden Age: Florentine Painting after the Renaissance, Masterworks from the Haukohl Family Collection...On view through January 2016, Twilight of a Golden Age: Florentine Painting after the Renaissance, Masterworks from the Haukohl Family Collection provides the opportunity to see some of the finest examples of paintings and objects from the Florentine Baroque period.  Florentine Baroque paintings, dating from the late sixteenth to early eighteenth centuries, utilize vibrant colors and a brilliant use of shadow to portray dramatic scenes wrought with emotion.  The Haukohl Family Collection has been carefully curated by Sir Mark Fehrs Haukohl and this exhibition is made possible through his generosity.

Twilight of a Golden Age Press Release
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Leonardo da Vinci and the Idea of Beauty

Leonardo da Vinci and the Idea of Beauty

February 21, 2015 - June 14, 2015
Organized by the Muscarelle Museum of Art, this unprecedented selection of more than twenty-five masterpiece drawings by Leonardo da Vinci...Organized by the Muscarelle Museum of Art, this unprecedented selection of more than twenty-five masterpiece drawings by Leonardo da Vinci and Michelangelo from Italian museums is the first exhibition to explore Leonardo’s philosophy of beauty as contrasted with his rival Michelangelo.  Also featured will be Leonardo’s renowned Codex on the Flight of Birds, containing a hidden self-portrait at age fifty-three, which has never previously been exhibited.

February 21 – April 5, 2015 at the Muscarelle Museum of Art and April 15 – June 14, 2015 at the Museum of Fine Arts, Boston

Press Releases:

January 20, 2015 Press Release
December 1, 2014 Press Release
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Matilda of Canossa and the Origins of the Renaissance

Matilda of Canossa and the Origins of the Renaissance

February 7, 2015
The Muscarelle Museum of Art, in its first collaboration with the Marshall-Wythe School of Law at the College of William...The Muscarelle Museum of Art, in its first collaboration with the Marshall-Wythe School of Law at the College of William & Mary is pleased to present Matilda of Canossa and the Origins of the Renaissance.  This is the first monographic exhibition in the United States ever dedicated to Matilda, one of the great leaders and women of the Middle Ages.  Curated by Michèle K. Spike, noted biographer of Matilda of Canossa and adjunct professor of law at the Marshall-Wythe School of Law, this exhibition will be on view from February 7 to April 24, 2015.

Matilda of Canossa Press Release
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Tree to Mountain: The Woodblock Prints of Toshi Yoshida

Tree to Mountain: The Woodblock Prints of Toshi Yoshida

October 17, 2014 - February 8, 2015
This exhibition celebrates the work of renowned Japanese printmaker Toshi Yoshida exploring the artist’s process, as well as his international...This exhibition celebrates the work of renowned Japanese printmaker Toshi Yoshida exploring the artist’s process, as well as his international travels. Yoshida’s woodblock prints are associated with the sosaku-hanga movement in Japanese art, which re-imagined the collaborative enterprise of printmaking by focusing on the artist as the sole creator versus traditional methods which compartmentalized skills into different rolls such as draftsman, carver, printer and publisher.

Tree to Mountain was guest curated by professors Hiroshi Kitamura and Xin Wu in conjunction with the seminar course Woodblock Exhibition Curation (ARTH 330) and installed as part of the Visual Cultures of East Asia program presented by the Muscarelle Museum of Art, the Asian and Middle Eastern Studies Program, and the Reves Center for International Studies.
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21st Century Diplomacy: Ballet, Ballots and Bullets

21st Century Diplomacy: Ballet, Ballots and Bullets

May 29, 2014 - September 28, 2014
Guest curated by Kathryn H. Floyd, visiting instructor at the College of William & Mary, 21st Century Diplomacy featured more...Guest curated by Kathryn H. Floyd, visiting instructor at the College of William & Mary, 21st Century Diplomacy featured more than four dozen images of culture, politics and war captured by photographers affiliated with the global affairs magazine Diplomatic Courier as well as William & Mary students.  Through this multi-national collaborative effort, photographers shared their experiences in witnessing narratives that help to shape political, financial, and humanitarian decisions worldwide.

Click here for the Press Release.
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Jacques Callot Studies from the Permanent Collection

Jacques Callot Studies from the Permanent Collection

April 29, 2014 - February 8, 2015
This collection of etchings, by the 17th-century French printmaker Jacques Callot, represents a significant acquisition for the Museum.  A variety...This collection of etchings, by the 17th-century French printmaker Jacques Callot, represents a significant acquisition for the Museum.  A variety of series that Callot completed over his career are on view, including a pristine impression of one of his best-known works, the etching of Saint Amond. Shown in the Herman Print Study Room, the viewer will have a chance to explore the provenance, or history of ownership, of the works on view.
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Kabuki Theater Woodcuts

Kabuki Theater Woodcuts

April 29, 2014 - February 8, 2015
Kabuki (its name comprised of the Kanji characters for “sing”, “dance”, and “skill”) is a form of Japanese theatre known...Kabuki (its name comprised of the Kanji characters for “sing”, “dance”, and “skill”) is a form of Japanese theatre known for its elaborate costumes, striking makeup, and intricate choreography. The ancient celebration of the beautiful and the bizarre is immortalized in this exhibition of Kabuki theatre woodcuts from the permanent collection.
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Curators At Work IV

Curators At Work IV

April 19, 2014 - May 18, 2014
This is the fourth installment of our Curators at Work exhibition series.  The exhibition which runs from April 19, 2014...This is the fourth installment of our Curators at Work exhibition series.  The exhibition which runs from April 19, 2014 — May 18, 2014, will focus on new acquisitions to the permanent collection.  As in past years, this show will be curated by the Muscarelle's own Assistant Director & Chief Curator Dr. John T. Spike and his students of his Curating, Collecting and Connoisseurship course at the College.
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Curators At Work IV

Curators At Work IV

April 19, 2014 - May 18, 2014
Caravaggio Connoisseurship: Saint Francis in Meditation and the Capitoline Fortune Teller

Caravaggio Connoisseurship: Saint Francis in Meditation and the Capitoline Fortune Teller

February 8, 2014 - April 6, 2014
February 8 to April 6, 2014, visitors coming to the Muscarelle Museum of Art at the College of William &...February 8 to April 6, 2014, visitors coming to the Muscarelle Museum of Art at the College of William & Mary will have a rare opportunity to view three famous paintings by, or attributed to, Caravaggio and take sides in an intense debate among the world’s leading authorities on Italian paintings. Two nearly identical versions of Caravaggio’s Saint Francis in Meditation have left experts divided. Despite years of debate, experts are in disagreement as to which one of these two beautiful paintings was created first and by whom. Which one is the original? Could they both be by the great Michelangelo Merisi, called Caravaggio? The two paintings on special loan from Rome’s Capuchin church and from the town of Carpineto Romano will be shown side by side, affording a once-in-a-lifetime opportunity for the Williamsburg audience to compare them. The exhibition will be completed by another of Caravaggio’s best-known compositions, the Fortune Teller, on loan from the Pinacoteca Capitoline in Rome. Although disputed by the experts until as recently as 1985, this painting is now recognized as a milestone in Caravaggio’s representation of daily life, not to mention a characteristic example of his style shortly after his arrival in Rome in the early 1590s.

Click here for the Press Release.
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European Paintings from the Permanent Collection and Important Loans

European Paintings from the Permanent Collection and Important Loans

February 8, 2014 - February 8, 2015
This exhibition is comprised of a selection of European landscapes, portraits and religious images, from the Baroque and Renaissance periods....This exhibition is comprised of a selection of European landscapes, portraits and religious images, from the Baroque and Renaissance periods. The paintings come from the permanent collection and loans from Thomas D. Dossett and Associates and The Lauro Collection.  Works by Titian, Diego Velázquez, and Luca Giordano are among the important artists on view.
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Celebrating the American Scene: Painters of the Federal Art Program

Celebrating the American Scene: Painters of the Federal Art Program

February 8, 2014 - January 11, 2015
The paintings and watercolors in this exhibition were commissioned by the Federal Arts Project (1935—1943), a sector of the Works...The paintings and watercolors in this exhibition were commissioned by the Federal Arts Project (1935—1943), a sector of the Works Progress Administration that promoted the creation of hundreds of thousands of works of art around the country for display in schools, libraries, and other public buildings.  This collection of works, on loan from U.S. General Services Administration, portrays the growing urbanization of American rural landscape and its people from the beginnings of the Depression into World War II.
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American Naturalism: Selections from the Owens Foundation

American Naturalism: Selections from the Owens Foundation

February 8, 2014 - January 11, 2015
This exhibition highlights the idea of the beauty of nature in art, a key theme of 19th-century American landscape painters....This exhibition highlights the idea of the beauty of nature in art, a key theme of 19th-century American landscape painters. Generously lent from the Owens Foundation, works by Thomas Cole, Robert Henri and Edward Potthast are among the artists represented.
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In Tandem: Established and Emerging Contemporary Artists from the Permanent Collection

In Tandem: Established and Emerging Contemporary Artists from the Permanent Collection

September 29, 2013 - January 12, 2014
More than twenty contemporary artists will be represented in the upcoming exhibition In Tandem: Established and Emerging Contemporary Artists from...More than twenty contemporary artists will be represented in the upcoming exhibition In Tandem: Established and Emerging Contemporary Artists from the Permanent Collection, September 29, 2013 — January 12, 2014. This multi- generational show includes works from the 1950s until the present by leading and emergent artists working in a variety of media and styles. Iconic works by established artists such as Chuck Close, David Hockney and Betye Saar will be showcased in tandem with up-and-coming artists Ángel Rámiro Sanchez, Steve Prince and Johnston Foster. Diverse approaches to contemporary culture, created by a cadre of multi-cultural artists, demonstrate the plurality of vision among living and modern artists in the Museum’s permanent collection.
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Glenn Close: A Life In Costume

Glenn Close: A Life In Costume

September 29, 2013 - January 12, 2014
The Muscarelle Museum of Art will host Glenn Close: A Life in Costume, featuring selections from Close's personal costume collection. ...The Muscarelle Museum of Art will host Glenn Close: A Life in Costume, featuring selections from Close's personal costume collection.  It consists of ensembles worn by some of the most iconic characters from Close's career in film, theatre and television, including Norma Desmond (Sunset Boulevard), Albert Nobbs, Alex Forrest (Fatal Attraction), Cruella De Vil (101 and 102 Dalmatians) and Patty Hewes (Damages).  The exhibition will open on September 29, 2013 and run through January 12, 2014.  In conjunction with the exhibition and the 2013 William & Mary Arts & Entertainment Festival, Close and her biotech entrepreneur husband, David Shaw, will receive the William & Mary 2013 Cheek Medal Award for their contributions to the arts.

Click here for the Press Release.
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Glenn Close: A Life In Costume

Glenn Close: A Life In Costume

September 29, 2013 - January 12, 2014
Curators At Work III: Recent Acquisitions

Curators At Work III: Recent Acquisitions

April 26, 2013 - May 26, 2013
Curators at Work III: New Acquisitions, on view April 26 to May 26, 2013, will display a number of masterpieces...Curators at Work III: New Acquisitions, on view April 26 to May 26, 2013, will display a number of masterpieces that have been newly acquired for the permanent collection. The show will span seven consecutive centuries of art and a variety of media. These works are not featured merely for their significance to the art community at-large, rather these works were carefully selected to highlight the most significant philosophy underlying the operation and acquisitions of the Museum — the Museum's role as a learning laboratory for the entire College of William & Mary. The director and chief curator target works for acquisition that will invigorate intellectual life at the College.  The exhibition will be accompanied by a catalogue of 43 memoranda written by students in Dr. Spike’s class Curating, Collecting and Connoisseurship. These memoranda demonstrate the Museum’s integral role in the intellectual life of the College by demonstrating the student’s academic and personal growth through working with these works of art first-hand.
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Curators at Work III

Curators at Work III

April 26, 2013 - May 26, 2013
A Brush with Passion: Mattia Preti (1613-1699)

A Brush with Passion: Mattia Preti (1613-1699)

February 9, 2013 - April 14, 2013
Paintings from North American collections in honor of the 400th anniversary of his birth.Paintings from North American collections in honor of the 400th anniversary of his birth.
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Michelangelo: Sacred and Profane

Michelangelo: Sacred and Profane

February 9, 2013 - April 14, 2013
Organized by the Muscarelle Museum of Art, Michelangelo: Sacred and Profane Masterpiece Drawings from the Casa Buonarroti will open February...Organized by the Muscarelle Museum of Art, Michelangelo: Sacred and Profane Masterpiece Drawings from the Casa Buonarroti will open February 9 and be on view through April 14, 2013.  This landmark exhibition is being organized in honor of the 30th anniversary of the foundation of the Muscarelle Museum of Art in 1983. Sacred and Profane follows on the success of Michelangelo: Anatomy as Architecture, Drawings by the Master held at the Muscarelle in 2010. The purpose of the new exhibition, with its unprecedented "sacred and profane" theme, is to investigate the artist’s innermost philosophy as revealed in his original, often astonishingly beautiful, drawings.  Following the exhibition at the College, the works will travel to the Museum of Fine Arts in Boston, where it opens on April 21 and closes on June 30, 2013.  The exhibition will be accompanied by a richly illustrated, catalogue produced by the Muscarelle Museum of Art with essays by Pina Ragionieri, John T. Spike, Aaron De Groft and Adriano Marinazzo.

Click here for the Press Release.
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Michelangelo: Sacred and Profane

Michelangelo: Sacred and Profane

February 9, 2013 - April 14, 2013
A Brush with Passion: Mattia Preti (1613-1699)

A Brush with Passion: Mattia Preti (1613-1699)

February 9, 2013 - April 14, 2013
Faculty Show 12

Faculty Show 12

October 27, 2012 - January 6, 2013
Works of the teaching studio art faculty including visiting instructors and emeriti professors at William & Mary were featured in...Works of the teaching studio art faculty including visiting instructors and emeriti professors at William & Mary were featured in an exhibition at the Muscarelle Museum of Art from October 27, 2012 through January 6, 2013. William & Mary was the first American university to create a department of fine arts and the Muscarelle was the first accredited university museum in the Commonwealth. This exhibition, a long-standing collaboration between the two departments, showcased representations of each artist’s current studio works. Faculty Show 12 presented the diverse talents of the William & Mary faculty in multiple media including drawing, painting, printmaking, sculpture, ceramics, and installation.
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Faculty Show 12

Faculty Show 12

October 27, 2012 - January 6, 2013
Athenian Potters and Painters: Greek Vases from Virginia Collections

Athenian Potters and Painters: Greek Vases from Virginia Collections

August 18, 2012 - October 7, 2012
The vases in this exhibition, from Virginia collections, were selected to display not only a variety of subjects and shapes,...The vases in this exhibition, from Virginia collections, were selected to display not only a variety of subjects and shapes, but also the principal techniques used to decorate them. Arranged in an approximate chronology, starting with prehistoric pottery and ending with high classical-era red-figure pottery, Athenian Potters and Painters was organized in connection with the international conference Athenian Potters and Painters III.  The labels and wall texts were written by the students of Professor John Oakley in the Department of Classical Studies at the College of William & Mary.
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Writ In Gold: Medieval Treasures In Honor of Dr. Barbara Watkinson

Writ In Gold: Medieval Treasures In Honor of Dr. Barbara Watkinson

April 14, 2012 - June 24, 2012
A mysterious gold Merovingian ring dating from the onset of the middle ages, ca. 400 to 600, is among the...A mysterious gold Merovingian ring dating from the onset of the middle ages, ca. 400 to 600, is among the medieval treasures included in , a special loan exhibition In honor of the retirement of medievalist Professor Barbara Watkinson. The ring’s diamond shaped bezel is inset with blue and green glass and set off by a cabochon garnet on all four corners (lent by the Kathleen Durdin collection). The Merovingian kings in Gaul were suppressed by Charlemagne, but their fame as a ‘realm of the rings’ survives even today in legends and literature. Guest curated by William and Mary senior Laura Conte, showcases the brilliance of almost 1500 years of western European craftsmanship. Most of the twenty pieces in the exhibition have been generously lent to the Muscarelle from the outstanding collections of the John and Mable Ringling Museum and by several private collectors. Western European liturgical objects, including an accumulation of gilt and illustrated leaves from medieval collections of antiphonals, known as ‘call and response’ chant books. Two leaves from an early Renaissance Book of Hours open a window onto the courtly life in Paris in the 1400’s. Executed by a skilled painter close to the esteemed Coetivy Master, these gilt and hand-painted vellum pages are illuminated with images of dancing devils and virtuous angels surrounded by glorious carpets of ornate filigree and foliage (lent by the Ronald R. McCarty collection). In praise of this beautiful show of rarities, Dr. Aaron De Groft, Muscarelle Director, said, “Imagine how the gold on the pages of an illuminated manuscript or the prayers in a Book of Hours shimmered and danced in the candlelight of a pre-electric age, helping worshipers to feel the presence of the divine.” The Muscarelle Museum of Art is located on Jamestown Road on the campus of The College of William & Mary in Williamsburg, Virginia. The Museum is open from 10:00 a.m. until 5:00 p.m. Tuesday through Friday and 10:00 a.m. until 4:00 p.m. on Saturday and Sunday. The Museum is closed on Mondays. Docent tours are available at 1:00 p.m. on Saturday, Sundays, and other times as announced. Admission to the Museum for this exhibition is $15.00. Admission is free for Museum members, The College of William & Mary faculty, staff, and students, and children under twelve. For more information about this exhibit or the Museum in general, please call 757-221-2700 or visit www.wm.edu/muscarelle.
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Curators At Work II: Memoranda for the Curatorial Files

Curators At Work II: Memoranda for the Curatorial Files

April 14, 2012 - June 24, 2012
Curators at Work II presents a new and enlarged version of Curators at Work: 16 Memoranda for the Curatorial Files, a...Curators at Work II presents a new and enlarged version of Curators at Work: 16 Memoranda for the Curatorial Files, a small show in the spring of 2011 that received a popular response. A year ago, many visitors were delighted by the opportunity to discover that the Muscarelle owns original works of art by modern art luminaries like Jasper Johns, Claes Oldenburg, Jim Dine, Man Ray, and Marino Marini. This year’s edition combines the fruits of the research by the students of two semesters of the Museum’s seminar, Curating, Collecting & Connoisseurship [ARTH 330-01 & ARTH 330-06]. On view in the Sheridan Gallery visitors will find treasures from the permanent collection and loans have been displayed with wall labels prepared by the students. A constellation of art world stars are out on view; Daumier, Rembrandt, Corot, Hockney, Franz Marc, and Robert Motherwell. This year the show has attracted national attention for the special addition of a rediscovered painting of St. Francis by El Greco, generously lent by Mrs. Camilla Blaffer (read more here).
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William D. Barnes Three Decades of Still Life and Landscape

William D. Barnes Three Decades of Still Life and Landscape

April 14, 2012 - June 24, 2012
William D. Barnes: Three Decades of Still Life and Landscape, was an exhibition of paintings and monotypes by Professor William Barnes...William D. Barnes: Three Decades of Still Life and Landscape, was an exhibition of paintings and monotypes by Professor William Barnes – on view from April 14 to June 24, 2012. Barnes retired from the Department of Art and Art History at William & Mary after thirty-seven years of dedicated teaching and mentoring students in the field of painting. The first major retrospective of this distinguished painter’s career,  the exhibition included more than fifty paintings and fifty monotypes from a span of thirty years. In honor of the occasion, a catalogue designed by Linda Carey with introduction by Dr. Aaron De Groft was published containing essays by the artist and fellow painters and critics Scott Noel and John Goodrich.
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Grand Hallucination: Psychedelic Prints by William Walmsley and Friedensreich Hundertwasser

Grand Hallucination: Psychedelic Prints by William Walmsley and Friedensreich Hundertwasser

February 4, 2012 - March 25, 2012
Imagine Ding Dong Daddy, Messy Jesse and the Gulf of Sexico gone Day-Glo, side-by-side with fluorescent lithographs printed and embossed...Imagine Ding Dong Daddy, Messy Jesse and the Gulf of Sexico gone Day-Glo, side-by-side with fluorescent lithographs printed and embossed like gleaming jewels — the result is an unforgettable Sixties' show... or, as Jerry Garcia might say, "What a long strange trip" this will be. The Museum is warming up the chilly months with a wild ride of color, humor, and irrepressible creativity in the works of two artists newly added to the Muscarelle collection, William Walmsley (1923-2003) and Friedensreich Hundertwasser (1923-2000). Although they took different paths to artistic eminence in the Sixties, they were both trailblazers in their use of blazing colors. The American Pop artist, Wamsley, was born in Tuscumbia, Alabama, in 1923. After serving in World War II, Wamsley studied in the Académie Julian in Paris where the Alabamian rubbed shoulders with the ghosts of the modern greats who had passed through, like Matisse, Picasso, and Marcel Duchamp. As a professor at Florida State University, Wamsley soon made a name for his blatant irony, raucous humor, and shameless punning. He also became known as a sage of advanced printmaking and the inventor of florescent lithography. Wamsley holds the record of the longest continued series of prints in the history of art in his alter-ego titled, "Ding Dong Daddy," creating the character in the 1960s and exploring himself until his death in 2003. Bill Wamsley said to make any art at all, is a "self-portrait." This new donation to the Muscarelle includes works that span the career of a genius of parody and amazing technique, with his lithographs including sometimes over ten colors. Each color is a separate pull off of the litho stone and very difficult to get right. Also shown in this exhibition is a rare set of the separation drawings done in preparation for each separate color. Sharing center-stage are also new acquisitions of virtiouso prints by Friedensreich Hundertwasser (1923-2000), an artist once as famous as Picasso. Born half a world away from Walmsley, but at almost the same time, Hundertwasser was the most important Viennese contemporary artist of his time. His work is playful, absolutely colorful and shimmering, and based on the works of fellow Austrian Egon Shiele, Surrealism, and Hundertwasser's concept of "transautomitism." As the founder of the movement, he embraced the visualization of his fantasies to immerse the viewer in the experience of the painting, rather than focusing on the interpretation of reality. He also loved spirals and was very much like Gustav Klimt in his use of symbols, gold and metallic inks as he parlayed his ideas on philosophy, environmentalism, design and architecture into an unmistakable visual language. He also hated straight lines. These two artists together are sure to blow your mind - to use a favorite expression from the period.
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FRAMES  The Forgotten Art

FRAMES The Forgotten Art

February 4, 2012 - March 25, 2012
Guest curated by renowned master framer and gilder, William B. Adair, Frames: The Forgotten Art presents a globe-trotting selection of...Guest curated by renowned master framer and gilder, William B. Adair, Frames: The Forgotten Art presents a globe-trotting selection of American and European hand-carved frames covering a span of more than five hundred years. The seventeenth-century framers of the Dutch Old Masters preferred dark woods and strong geometric patterns. The grand paintings made for English country houses and Italian baroque churches required magnificent examples of the carver's and gilder's art. One of the masterpieces in the exhibition is a towering baroque mirror frame with sculpted figures of gamboling putti on all four sides. This work, which once adorned the entrance hall of an Italian palazzo, has been lent to the show by the famous author and Virginia resident, Mark Helprin. Before the plain white molding was invented, modern artists delighted in designing their own frames for their own paintings. Frames: The Forgotten Art contains three original frames designed especially for distinctive work of famous artists: the German Franz Stuck, Diego Rivera, and Thomas Hart Benton.
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Eight Endangered Species

Eight Endangered Species

February 4, 2012 - March 25, 2012
Contemporary artist Kay Jackson portrays Eight Endangered Species using ancient techniques and creative variations on traditional frames. Since the 1990s,...Contemporary artist Kay Jackson portrays Eight Endangered Species using ancient techniques and creative variations on traditional frames. Since the 1990s, Kay Jackson has been quietly paying her respects to disappearing flora and fauna by making icons, one for every species. Their meticulously worked surfaces and gilt carved frames recall the sacred relics of early art. Her works evoke the irony of our readiness to lament environmental damage and our inaction to prevent.

Each of the Endangered Species panels, now more than thirty five in all, requires months to produce. Their delicately incised and gilt surfaces are layered and worked with techniques long out of common use. Jackson deliberately employs craftsmanship skills that have practically disappeared in order to pay homage to living creatures that are disappearing. The eight threatened species in the Muscarelle installation are the Figian Banded Iguana, American Buffalo, Crayfish, Grévy's Zebra (illustrated), Salmon, Sea Horse, Red Crown Crane, and Spotted Owl. The works will be installed in a darkened gallery in order to display the reflective luminosity of the gilt surfaces.
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Seeing Colors: Secrets of the Impressionists

Seeing Colors: Secrets of the Impressionists

October 22, 2011 - January 22, 2012
In Memory Still: A Kiowa Legacy

In Memory Still: A Kiowa Legacy

September 10, 2011 - November 13, 2011
In Memory Still: A Kiowa Legacy in Art traces the enduring artistic tradition of American Indian artists, known as the...In Memory Still: A Kiowa Legacy in Art traces the enduring artistic tradition of American Indian artists, known as the Kiowa Five, from their roots in Plains culture to their lasting influence upon contemporary Native artwork. The exhibition features the renowned 1929 portfolio titled "Kiowa Indian Art," that received critical acclaim in Europe and the United States. Under the mentorship of University of Oklahoma professor Oscar Jacobson, the Kiowa Five were among the first Native artists to be artistically trained in a university setting. Countering pressures to assimilate into mainstream society, these artists chose to depict aspects of traditional Kiowa culture in their paintings. Although the Kiowa Five remained together for less than a decade, their work continues to influence contemporary American Indian artists. In Memory Still will be on view at the Museum September 10 – November 13, 2011.

Increased interaction with frontiersman and homesteaders during the second half of the nineteenth century led to indigenous innovations in areas, such as beadwork and silverwork. This period also marked a transformation and extension of earlier pictorial traditions, which memorialized individual deeds as well as commemorated community events. The introduction of new media of pencils and ledger books as a paper source offered a new way to memorialize key events marking the rise and development of ledger art.

The 1875 detainment of seventy-two Plains Indian prisoners of war at Fort Marion in St. Augustine, Florida, twenty-seven of whom were Kiowa, ushered in a lasting transformation in two dimensional works on paper. The thematic content of the Fort Marion ledgers was varied. Prisoners expressed nostalgia for distant homelands, illustrated violent encounters with the U.S. Army, and documented the cultural transformations that came about due to the forces of pacification and assimilation. The sale of ledger works by Army officers at Fort Marion and by the Native POWs, marked the start of a new entrepreneurial era for Plains Indian art.

The Kiowa Five – Spencer Asah, James Auchiah, Jack Hokeah, Stephen Mopope, Monroe Tsatoke, and Lois (Louise) Smoky – inherited the ledger art tradition. Several received their earliest art instruction from former Fort Marion ledger artists, who were elders in the tribe. All six studied in a special art class at the University of Oklahoma, although only five worked together at any given time. Professor Jacobson released a portfolio of the artists’ combined work entitled “Kiowa Indian Art” at the end of their art instruction garnering the Kiowa Five international attention.

Contemporary Native artists have adopted many stylistic elements of Kiowa Five art, while also incorporating modern themes and techniques. The exhibit will feature a number of contemporary Native American artists such as Acee Blue Eagle (Creek-Pawnee-Wichita), T.C. Cannon (Kiowa-Caddo-Choctaw), Dolores Purdy (Caddo) and Thomas Poolaw (Kiowa, Delaware), who continue to draw on the Kiowa Five legacy of expressing culture through art.
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In Memory Still: A Legacy in Kiowa Art

In Memory Still: A Legacy in Kiowa Art

September 10, 2011 - January 22, 2012
Losing Todd: A Mother’s Journey (SADLER CENTER EXHIBITION)

Losing Todd: A Mother’s Journey (SADLER CENTER EXHIBITION)

September 1, 2011 - October 23, 2011
The Muscarelle Museum of Art solemnly hosts an exhibition of seventeen paintings capturing the journey of a mother coping with...The Muscarelle Museum of Art solemnly hosts an exhibition of seventeen paintings capturing the journey of a mother coping with the loss of her child. On September 9, 2010, Jeanne Weaver’s son, 1Lt. Todd W. Weaver, W&M `08 was killed in action in Afghanistan. After the initial shock and sadness, when for four months she could not paint, Jeanne decided in January 2011, to pick up her brushes in honor and memory of Todd. Losing Todd: A Mother’s Journey will be on view in the Muscarelle Museum Annex at the William & Mary Sadler Center September 1 – October 23, 2011.

Jeanne began painting again because she realized the small things from Todd’s life were important and needed to be captured. As she painted the seventeen oils in this exhibition about what she recalled in the weeks after his death, Jeanne gained strength and resolve. She ventured to capture the light and emotions of the moment. Through these paintings she shares her loss, her love, and her pride in Todd as she continues her journey since that September morning. Jeanne believes sharing these paintings honors all fallen heroes and recognizes the impact on all their Gold Star families and their ultimate sacrifice.

The Muscarelle Museum of Art Annex Space is located at the Sadler Center at The College of William & Mary. The Sadler Center is open Monday – Thursday from 7:00 AM to 12:00 AM, Friday – Saturday from 7:30 AM to 2:00 AM, and Sunday 7:30 AM to 12:00 AM. Admission to this exhibition is free.
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Marlene Jack: A Journey in Clay

Marlene Jack: A Journey in Clay

April 15, 2011 - June 19, 2011
Marlene Jack: A Journey in Clay

Marlene Jack: A Journey in Clay

April 15, 2011 - June 19, 2011
Curators at Work

Curators at Work

November 5, 2010 - January 2, 2011
Triumph of the Human Spirit, Photographs of W. Eugene Smith and Aileen M. Smith

Triumph of the Human Spirit, Photographs of W. Eugene Smith and Aileen M. Smith

April 24, 2010 - June 20, 2010
The profound art of American photojournalist W. Eugene Smith and his wife Aileen M. Smith is the subject of an...The profound art of American photojournalist W. Eugene Smith and his wife Aileen M. Smith is the subject of an upcoming exhibition at the Muscarelle Museum of Art. Unbearable Beauty: The Triumph of the Human Spirit consists of photographs from Smith’s “Minamata Series,” which brought to world attention the horrors of mercury poisoning. The exhibition opens April 24, 2010 and closes on June 20, 2010.

William & Mary professor Elizabeth Mead curated the exhibition as part of a College-wide, global-inquiry group on the effects of mercury poisoning culminating in an international symposium at The College. The exhibition will include many images from the Minamata series. Taken in the early 1970s, many of theses photos brought to global attention the horrible effects of mercury poisoning. In 1932, Chisso Corporation spilled mercury into Minamata Harbor in Japan, where it entered the marine food chain and the human diet. Some forty years later the effects of mercury pollution were witnessed by the world in the now infamous image of a healthy Japanese mother bathing the body of her blind and disfigured daughter.

In addition to the exceptionally compelling social content, Smith’s work possesses extraordinary aesthetic sensibilities, coupled with a meticulous technical facility.

“While the subject matter is difficult, these stunning black-and-white photographs are very relevant today, and offer students, faculty, and the community at large the chance to engage in a dialogue with the broader world about environmental issues. The Museum is honored to be the visual facet of this College-wide collaboration,” said Aaron De Groft, director of the Muscarelle Museum of Art.

ABOUT EUGENE SMITH
(1918-1978): Photojournalist


W. Eugene Smith was a 20th century American photojournalist who lived from 1918-1978. Smith was born in Wichita, Kansas where, as a young child, he aspired to become an aeronautical engineer. His first use of a camera was to take photos of the planes at a local airport. He attended Notre Dame University, but left Notre Dame after a year to attend the New York Institute of Photography; he was then hired by Newsweek magazine. He left Newsweek and worked as a free lance photographer for Life, American, Parade, and the New York Times. During World War II, Smith became a photojournalist correspondent for the publishing firm Ziff- Davis and Life magazine. He photographed in the heart of the action: he was in Okinawa on D-Day, and on the first plane on which a correspondent could arrive after the war began. Smith risked his life to get the perfect photograph. He was wounded in Okinawa by a Japanese shell fragment that exploded, costing him two years in the hospital, where he was unable to practice his craft. It was during his recovery that he captured one of his most famous pieces of art “A Walk to Paradise Garden” (1946).

In 1955, Smith embarked on a photo essay entitled Pittsburgh. As a master photojournalist, Smith compiled multiple photo essays and also taught at the New York School for Social Research. After finishing his final project at Minimata Harbor in Japan, he moved to Tucson to teach at the University of Arizona, where he died a year later. Today the W. Eugene Smith Memorial Fund founded promotes “humanistic photography,” in his honor.
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Merging Souls  Arts of Devotion in Latin America

Merging Souls Arts of Devotion in Latin America

April 24, 2010 - July 19, 2010
Merging Souls: Arts of Devotion in Latin America illuminates the rich visual and material cultures of the southern regions of...Merging Souls: Arts of Devotion in Latin America illuminates the rich visual and material cultures of the southern regions of the Americas from the pre-Hispanic and colonial periods to the present day. Drawing together works from diverse peoples, regions, and modern nations, the exhibition testifies to the centrality of art in Latin American communities and the varied means by which the sacred is perceived and expressed.

Merging Souls explores two forms of artistic synthesis: the merging of beliefs and practices and the merging of distinct cultural traditions. The first highlights the interplay of theology and practice – sacred ideals inspire artistic creations just as material forms shape religious thoughts and expressions. The second examines the visible and invisible mixes of Amerindian, African, and European cultures. Colonization brought together peoples from a range of ethno-linguistic regions and traditions, and artistic production and celebration served as particularly potent mediums of expression. Through art, individuals and communities preserved many traditional practices and incorporated new ones, developing unique hybrid forms and customs in response to local circumstances and needs.

Organized by theme, material, locale, and time period, the objects in Merging Souls embody the ongoing dialogues between individuals, communities, and the divine that inspire artistic creation, generating new forms, contexts, and meanings. Visitors are encouraged to consider the social power structures that engendered these objects and their uses. At the same time, visitors should explore the power of art to express and to shape the variety of personal, cultural, and devotional experiences.

We would like to thank; Latin American Studies Program, American Studies Program, Department of Art and Art History, Department of Anthropology, Lyon G. Taylor Department of History, John and Scottie Austin, Professor Curtis Moyer, and Professor Susan V. Webster.

Student curators: Katrina Christiano, Elizabeth Cook, Laurel Daen, Alix Méav Ellinwood-Jerome
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3rd Annual Developing World Gallery (Sadler Center)

3rd Annual Developing World Gallery (Sadler Center)

April 1, 2010 - May 7, 2010
The 3rd Annual Developing World Gallery exhibition co-curated by IRC CARES and the Muscarelle Museum of Art is currently on...The 3rd Annual Developing World Gallery exhibition co-curated by IRC CARES and the Muscarelle Museum of Art is currently on display in the Museum’s Annex at the Sadler Center. Featured in the exhibition are photographs taken by students while traveling or studying in developing countries. Out of over 800 photo submissions, sixty pictures were chosen for the exhibition. A silent auction was held during opening on April 1. All money raised went to support Practical Small Projects. The exhibition runs thru May 7.
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Michelangelo: Anatomy as Architecture, Drawings by the Master

Michelangelo: Anatomy as Architecture, Drawings by the Master

February 6, 2010 - April 11, 2010
One of the most famous artists in the history of the world, Michelangelo Buonarroti is known for his iconic works...One of the most famous artists in the history of the world, Michelangelo Buonarroti is known for his iconic works such as the Sistine Chapel and the sculpture David. Without a doubt, however, the rare and infrequently seen drawings of this Renaissance artist are among the most treasured in the world.

Michelangelo: Anatomy as Architecture consists of drawings, archival pages, and engravings on loan from the finest collection of Michelangelo drawings and the ancestral home, the Casa Buonarroti in Florence, Italy. Combined with Old Master drawings from the collection of the Museum, the exhibition depicts and illustrates Michelangelo’s concept and philosophy that architecture was anatomical in a way that has never been done before. The exhibition explores new research in Michelangelo architectural studies, includes digital reconstructions of buildings never before believed to be influenced by Michelangelo, and lectures by world-renowned scholars on Michelangelo.

The Muscarelle Museum of Art will be the only U.S. venue for Michelangelo’s treasured drawings on view from February 6, 2010 to April 11, 2010.

Michelangelo Buonarroti (1475—1564) had a vision of architecture that was rooted in the understanding of the human body, and his theory of anatomy was articulated in the study and design of architecture. While most Renaissance architects treated the human body as analogy, Michelangelo, a supreme master of the human form, took the comparison further. He viewed anatomy—muscles, nerves, and human proportions—as metaphors for the active elements of architecture. A master draftsman, his design principles were articulated in remarkable sketches. Michelangelo’s emphasis on the body in his vision and theory of architecture was unprecedented. He saw it all intertwined as life.

Scholars have always questioned whether or not Michelangelo studied anatomy. He did in several ways. He conducted studies of classical antiquities and the many human forms available to him in ancient sculptures. More importantly, when he was sixteen years old and a guest at the convent church of Santo Spirito on the south-side of the Arno River in Florence, he dissected corpses from the convent hospital. Besides making drawings of dissections, Michelangelo also studied and drew from the human model. From a very young and influential age, Michelangelo actively developed his concept of architecture as anatomy.

This exhibition is curated by the Muscarelle Museum of Art as is the production of the catalogue. The show is organized in Italy by Contemporanea Progetti from the generous loans of the works of art from the Fondazione Casa Buonarroti in Florence upon the authority of the Soprintendenza per i Beni Artistici e Storici in Florence and the Ministero per i Beni e le Attività Culturali of Italy in Rome.  Visit the Casa Buonarroti.
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Deeply Superficial: Andy Warhol’s Voyeurism

Deeply Superficial: Andy Warhol’s Voyeurism

November 7, 2009 - January 17, 2010
Warhol, fascinated by contradictions, famously said, “I am a deeply superficial person.” The Muscarelle Museum of Art presents Deeply Superficial,...Warhol, fascinated by contradictions, famously said, “I am a deeply superficial person.” The Muscarelle Museum of Art presents Deeply Superficial, on view from November 7, 2009 to January 17, 2010, an exhibition featuring over 100 of Warhol’s photographs, film and silkscreens of glamorous celebrities, socialites, and artists of the 60s and 70s, including Edie Sedgwick, Dennis Hopper, Bob Dylan, and Salvador Dali. This cutting-edge, multi-media exhibition offers a fresh interpretation of the conceptual underpinnings and the ambiguous “voyeurism” of his portraits in film, photography, and silkscreen and offers a rare look through Warhol’s eyes at his world, and his artistic process.

Intrigued by image and fame, Warhol brought his camera wherever he went. He took thousands of tabloid-style photographs of the faces of New York’s party scene. He was also commissioned by the rich and famous to create “high art” silkscreen portraits in the style of his famous Marilyn silkscreens. Taken together, these works constitute one of the largest explorations of the human face by any artist. The exhibition includes rarely-seen works drawn from the collections of the Museum of Modern Art, the Andy Warhol Museum, private collections, and recent acquisitions of the Muscarelle Museum of Art. Visitors will be immersed in a fascinating presentation of Warhol’s way of looking and artistic process, including quotes by Warhol on his subjects.

A major part of the exhibition explores Warhol’s commissioned silkscreen portraits along with their Polaroid source images. Warhol rejected the traditional aim of the portrait genre to capture the soul, drawing instead on the visual language of Hollywood and popular culture to emphasize surface beauty. The exhibition revisits Warhol’s deeply conceptual use of this mass-media visual language—serial repetition, the grid format, the closeup, and the interplay between still and moving images—to show how he turned his subjects into Pop art “superstars” – a word he coined.

In addition to photographs and silkscreen paintings, the exhibition features Warhol’s voyeuristic Screen Tests, riveting three-minute film portraits that are among his most remarkable and least known works. This is the first time these experimental “living portraits,” which appear at first glance to be still pictures, will be exhibited alongside his instant Polaroid snapshots and silkscreen portraits, which unfold temporally like film strips. Taken together, the show offers new insights into the way he applied a mass-media aesthetic of serial repetition to the representation of “celebrity,” and reveals how he brought film, photography, and painting together in a fascinating and radical dialogue Warhol coined the famous phrase, “In the future everybody will be world-famous for 15 minutes.” For Warhol, Polaroid was the digital technology of the pre-digital era. Examining the way that Warhol's chief concerns – voyeurism, notoriety, and popular culture – are at play in his multi-media portraits, the exhibition demonstrates his prescient glimpse into today's media-obsessed society in the form of tabloids, YouTube, and Facebook. Much like Warhol’s own social experiment, the exhibition includes a component in which visitors can become the objects of their own—digital—“screen tests.”
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Deeply Superficial: Andy Warhol’s ‘Voyeurism’

Deeply Superficial: Andy Warhol’s ‘Voyeurism’

November 7, 2009 - January 17, 2010
FACULTY SHOW ELEVEN

FACULTY SHOW ELEVEN

September 5, 2009 - October 25, 2009
Works of the Studio Art faculty of The College of William & Mary will be featured at the Muscarelle Museum...Works of the Studio Art faculty of The College of William & Mary will be featured at the Muscarelle Museum of Art from September 5, 2009 to October 25, 2009. This unique exhibition is a long-standing tradition at William & Mary, and a collaboration between the Art and Art History Department and the Muscarelle Museum of Art.

The exhibition highlights the diverse talents of the William & Mary faculty. Studio Art faculty were invited to submit works on paper, sculpture, and canvases to fill the upstairs galleries of the Museum. Aaron De Groft, Director of the Muscarelle Museum of Art, explained, “As a university museum two of our goals are to utilize the museum as a laboratory for learning and to collaborate with the faculty of The College. This exhibition provides us the opportunity to do both.” Students and members of the community will be provided opportunities to engage faculty members through several gallery talks that will take place during the course of the exhibition.

The 1st Faculty Show was held in 1985 under then Director of the Muscarelle Museum of Art Glenn Lowry (current Director of the Museum of Modern Art). Since then the Muscarelle Museum has invited Studio Art faculty members to exhibit their works every two to five years. The last Faculty Show was held in 2007.
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Faculty Show Eleven

Faculty Show Eleven

September 5, 2009 - October 25, 2009
SPANISH BAROQUE IN THE NEW WORLD:  Sibyls from Zurbarán’s Studio

SPANISH BAROQUE IN THE NEW WORLD: Sibyls from Zurbarán’s Studio

August 4, 2009 - November 1, 2009
In the mid-17th century, Francisco de Zurbarán (1598–1664) and his circle increasingly produced paintings for a colonial market. The series...In the mid-17th century, Francisco de Zurbarán (1598–1664) and his circle increasingly produced paintings for a colonial market. The series of Twelve Sibyls, on view from August 4, 2009 through November 1, 2009, is a fascinating example of the paintings that were shipped overseas to decorate churches and public spaces in Lima, Quito, and other cities.

Typically, such series had a direct print source. These Sibyls are based on a set of prints by the French painter Claude Vignon, engraved by Gilles Rousselet and Abraham Bosse in 1630. The differing levels of quality and the vibrant color scheme—unusual for Zurbarán—indicates that the paintings, like many export commissions, were executed by multiple artists working in a unified style.

The Twelve Sibyls were pagan prophetesses adopted into Christian iconography during the medieval period. Each foretold one of the principle events in the life of Christ. In 1508–12, Michelangelo painted five Sibyls on the Sistine Chapel ceiling. However, after the Council of Trent in the early 1560s restricted pagan imagery, they were less common in art. Although the provenance of this series is unknown, the unusual choice of subject may be explained by the foreign destination. In the background of each painting, a small narrative scene represents the event in Christ’s life prophesied by the Sibyl.
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TIFFANY GLASS: A RIOT OF COLOR

TIFFANY GLASS: A RIOT OF COLOR

April 18, 2009 - July 12, 2009
Tiffany Glass: “A Riot of Color” is the only exhibition in Hampton Roads 2009 Art of Glass festival that will...Tiffany Glass: “A Riot of Color” is the only exhibition in Hampton Roads 2009 Art of Glass festival that will be devoted to the Art Nouveau glass of Tiffany.

The Muscarelle Museum of Art presents Tiffany Glass: “A Riot of Color,” an exhibition of the finest Tiffany glass on view from April 18, 2009 to July 12, 2009. The exhibition celebrates the ten-year anniversary of the “Art of Glass” in a program organized by the Chrysler Museum and the Contemporary Art Center of Virginia in conjunction with the Virginia Arts Festival. While most of the participating institutions will display contemporary glass, the Muscarelle will be the sole venue devoted entirely to the stunning Art Nouveau glass of Tiffany from the period around 1900.

In 1913, Louis Comfort Tiffany threw an Egyptian-themed party at his Madison Avenue studio. A New York Times journalist described the event as a feast, “held in a riot of color.” Although this description refers to the elaborate costumes and entertainment, it is just as applicable to Tiffany’s iridescent glass-- a feast for the eyes.

Tiffany Glass: “A Riot of Color” showcases highlights from the career of Louis Comfort Tiffany, whose extraordinary interior designs made him the first word in taste and sophistication in Gilded Age New York. Stained glass windows, glass-tiled fireplaces and blown-glass light fixtures were mainstays of Tiffany interiors. The exhibition will include an array of brilliant, jewel-like glass lamps, glass tiles, blown glass, and a stained glass window that together will illustrate the styles, themes and techniques with which the Tiffany studios experimented during the height of the Art Nouveau period.
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Picturing Paradise: Cuadros by the Peruvian Women of Pamplona – Alta as Visions of Hope

Picturing Paradise: Cuadros by the Peruvian Women of Pamplona – Alta as Visions of Hope

April 6, 2009 - May 17, 2009
This exhibition is a collaboration between the Museum and the Women’s Studies Program, the American Studies Program, and the Department...This exhibition is a collaboration between the Museum and the Women’s Studies Program, the American Studies Program, and the Department of Art and Art History (Prof. Susan Webster) at The College of William & Mary. Support was provided by the Margaret Gove Foundation through the Women’s Studies Program.
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The New Outcasts / Los Nuevos Olvidados Photographs by Octavio Kano-Galván

The New Outcasts / Los Nuevos Olvidados Photographs by Octavio Kano-Galván

March 2, 2009 - April 1, 2009
Photographer Octavio Kano-Galván’s initiation into art began when he was six years old at the Taller infantil de artes plásticas...Photographer Octavio Kano-Galván’s initiation into art began when he was six years old at the Taller infantil de artes plásticas in Mexico City. He completed his undergraduate degree in Fine Arts at the Escuela de Artes Plásticos (UNAM) in conjunction with a degree in mechanical engineering. Soon after graduation, Octavio worked as a still-shot photographer in the motion picture industry while pursuing at the same time his artistic goals. He has had several one-man shows and group exhibitions in Mexico, the United States, India, and China.

Originally from France, Sonia Feigenbaum Karsenti began her career as a cellist. She received her bachelor's degree in cello peformance and she then discovered Latin American fiction and pursued graduate studies in Hispanic Literatures and cultures. She has taught Spanish, Latin American literature and comparative literature at Indiana University, Williams College and the University of St. Thomas. In 2005, she published her first novel, Memorias de olvido. She is currently completing a second novel De aquí al cielo, de ida y de regreso.
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Assignment Middle East and Africa: Selected Work from Photojournalist Paul Taggart

Assignment Middle East and Africa: Selected Work from Photojournalist Paul Taggart

February 4, 2009 - March 1, 2009
In conjunction with University Center Activities Board, Cultural and Contemporary Events Program: Paul Taggart is a photojournalist whose work has...In conjunction with University Center Activities Board, Cultural and Contemporary Events Program: Paul Taggart is a photojournalist whose work has appeared in the New York Times, Newsweek, and National Geographic.
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Tiffany Glass: ‘A Riot of Color’

Tiffany Glass: ‘A Riot of Color’

January 1, 2009 - January 1, 2009
The Dutch Italianates: Seventeenth-Century Masterpieces from Dulwich Picture Gallery

The Dutch Italianates: Seventeenth-Century Masterpieces from Dulwich Picture Gallery

November 16, 2008 - March 22, 2009
The Muscarelle Museum of Art is pleased to be the first venue to kick off the national tour of The...The Muscarelle Museum of Art is pleased to be the first venue to kick off the national tour of The Dutch Italianates: Seventeenth-Century Masterpieces from Dulwich Picture Gallery, London, an exhibition presenting views of the Italian landscape of the seventeenth-century as seen through the eyes of some of the most accomplished Dutch artists of the Golden Age. The Dutch Italianates will be on view at the Muscarelle Museum from November 16, 2008 through March 22, 2009.

The exhibition will feature a group of forty paintings from the collection formed for a king and will highlight the famed masters of the Dutch Italianate style, including masterpieces by Aelbert Cuyp, Nicolaes Berchem, Karel Dujardin, Philips Wouwermans, and Adam Pynacker. This exhibition will offer an exceptional opportunity to view works from the world-class collection of Dulwich Picture Gallery, London, called the best small museum in all of Europe and a collection formed for a King.

Included in the exhibition is one of Aelbert Cuyp’s most accomplished works, Herdsman with Cattle of c. 1645. Featured in the major Aelbert Cuyp exhibition at the National Gallery in Washington, D.C. in 2002, it returns to America for The Dutch Italianates at the Muscarelle Museum of Art. The painting is one of five by Cuyp in the exhibition. Other highlights include Adam Pynacker’s six-foot masterpiece Landscape with Sportsmen and Game of 1665.
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Highlights from the George W. Roper, II Collection

Highlights from the George W. Roper, II Collection

October 24, 2008 - January 31, 2009
The Museum is pleased to have on temporary loan, selected highlights from the private collection of George W. Roper, II....The Museum is pleased to have on temporary loan, selected highlights from the private collection of George W. Roper, II. It includes a wonderful portrait of the Duke of Montfoort by Jan Mierevelt, a Delft portraitist of the early seventeenth century known for his refined technique. There is also a beautiful portrait by Thomas Sully of Mrs. Yates Levy. Also of note is the portrait of Charles IX, who was King of France from 1560-1574, by a follower of the French miniaturist Clouet. Also included is the remarkable, evocative 1880, Landscape with a Church by the American landscapist George Herbert Mead. He was a member of the second generation of Hudson River school, and went to the Claverick Academy in New York and studied with Samuel Morse. Finally, the exhibition includes an abstract and imaginative sketch by Salvador Dali.
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Diving with a Camera: Photographs by Dennis Liberson

Diving with a Camera: Photographs by Dennis Liberson

September 5, 2008 - November 2, 2008
Pursuing Perfection: Highlights and Select Loans from the Museum Collection

Pursuing Perfection: Highlights and Select Loans from the Museum Collection

January 25, 2008 - November 18, 2024
The Muscarelle Museum of Art first opened its doors in 1983, but The College of William & Mary began acquiring...The Muscarelle Museum of Art first opened its doors in 1983, but The College of William & Mary began acquiring art centuries earlier, in 1732, when the Third Earl of Burlington donated to The College a portrait of English physicist Sir Robert Boyle. As the fine arts were beginning to take root in the New World, The College procured works by celebrated colonial and early American portraitists, such as Rembrandt Peale, Charles Bridges and John Wollaston. During the early decades of the 20th century, other genres of painting as well as sculptures and works on paper were introduced into the collection.  Recently, several loans of American and European masterpieces from Thomas Dossett and Associates, the Owens Foundation and The Lauro Collection have given Sir Robert Boyle the pleasure of hanging near works by Titian, Robert Henri and Diego Velázquez.

Oscar Wilde quipped, “It is through art, and through art only, that we can realize our perfection.” The featured selections from the permanent collection comprise a diverse group, spanning five centuries and several cultures. But a common thread connects Titian with Hans Hofmann and the artists representing the countless styles, genres and epochs in between. Each sought to convey the perfect expression of an artistic impulse – what Robert Henri called “the art spirit.”

Originally curated by Becky Shields, Curatorial Fellow 2007-2008.
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The Faithful Samurai: Kuniyoshi Woodblock Prints

The Faithful Samurai: Kuniyoshi Woodblock Prints

February 10, 2007 - April 8, 2007
10th W&M Faculty Show

10th W&M Faculty Show

October 28, 2006 - January 7, 2007
Tapestries: The Great Twentieth Century Modernist

Tapestries: The Great Twentieth Century Modernist

January 21, 2006 - March 26, 2006
Charles E. Burchfield: Backyards and Beyond

Charles E. Burchfield: Backyards and Beyond

August 27, 2005 - October 23, 2005
9th W&M Faculty Show Faculty Choice

9th W&M Faculty Show Faculty Choice

January 22, 2005 - March 20, 2005
Toulouse-Lautrec: Master of the Moulin Rouge

Toulouse-Lautrec: Master of the Moulin Rouge

August 28, 2004 - October 24, 2004
American Studio Glass: A Survey of the Movement

American Studio Glass: A Survey of the Movement

January 24, 2004 - March 21, 2004
In Memoriam – Howard Finster

In Memoriam – Howard Finster

November 11, 2001 - January 27, 2002
Huda Lufti: A Contemporary Artist from Egypt

Huda Lufti: A Contemporary Artist from Egypt

October 21, 2001 - January 13, 2002
The Solar Wall: Past, Present & Future?

The Solar Wall: Past, Present & Future?

June 9, 2001 - October 7, 2001
New Acquisitions

New Acquisitions

November 4, 2000 - January 7, 2001
American Drawing Biennial VII

American Drawing Biennial VII

June 3, 2000 - July 25, 2000
Robert Natkin: Themes & Variations

Robert Natkin: Themes & Variations

January 4, 2000 - January 7, 2001
A Forgotten Williamsburg: J.J. Lankes Prints

A Forgotten Williamsburg: J.J. Lankes Prints

October 2, 1999 - January 16, 2000
Mexico! Photographs by Manuel Carrillo

Mexico! Photographs by Manuel Carrillo

August 27, 1999 - September 26, 1999
Drawings and Paintings by Henry Coleman

Drawings and Paintings by Henry Coleman

March 25, 1999 - May 21, 1999
Hung Lui: A Ten Year Survey 1988 – 1998

Hung Lui: A Ten Year Survey 1988 – 1998

August 26, 1998 - October 18, 1998
Ties That Bind & Exhibitions of Iban Ikat Fabrics

Ties That Bind & Exhibitions of Iban Ikat Fabrics

August 26, 1998 - October 18, 1998
7th W&M Faculty Show

7th W&M Faculty Show

February 28, 1998 - April 26, 1998
Building Form: Ansel Adams & Architecture

Building Form: Ansel Adams & Architecture

June 14, 1997 - August 17, 1997
Collector’s Choice

Collector’s Choice

December 7, 1996 - January 5, 1997
Recent Acquisitions

Recent Acquisitions

December 7, 1996 - January 5, 1997
Robin Tichane: AIDS’ Dark Terrain

Robin Tichane: AIDS’ Dark Terrain

December 1, 1996 - March 9, 1997
Nell Blaine

Nell Blaine

October 19, 1996 - December 1, 1996
Goya! Prints by the Spanish Master

Goya! Prints by the Spanish Master

August 31, 1996 - October 13, 1996
The McCarthy Collection of African Art

The McCarthy Collection of African Art

June 26, 1996 - August 25, 1996
6th W&M Faculty Show

6th W&M Faculty Show

April 20, 1996 - May 26, 1996
American Drawing Biennial V

American Drawing Biennial V

March 9, 1996 - April 14, 1996
Constance Stuart Larrabee: Time Exposure

Constance Stuart Larrabee: Time Exposure

December 9, 1995 - March 3, 1996
African-American Works on Paper

African-American Works on Paper

October 21, 1995 - December 3, 1995
NCECA 1995 Clay National

NCECA 1995 Clay National

September 2, 1995 - October 15, 1995
Drawings & Watercolors by Hans Grohs

Drawings & Watercolors by Hans Grohs

February 25, 1995 - March 26, 1995
Artisans in Silver, 1994

Artisans in Silver, 1994

January 14, 1995 - February 19, 1995
Works by Warhol Prints from the Permanent Collection

Works by Warhol Prints from the Permanent Collection

January 14, 1995 - February 19, 1995
Leadership Arts of West Africa

Leadership Arts of West Africa

August 13, 1994 - October 9, 1994
Master Impressions

Master Impressions

August 13, 1994 - October 9, 1994
Robert Ranieri Animalia

Robert Ranieri Animalia

May 14, 1994 - July 1, 1994
American Drawing Biennial IV

American Drawing Biennial IV

January 15, 1994 - March 6, 1994
Beasts of Vision

Beasts of Vision

November 20, 1993 - January 2, 1994
Gifford Beal: Picture-Maker

Gifford Beal: Picture-Maker

August 21, 1993 - October 10, 1993
Reynolds Beal: American Impressionist

Reynolds Beal: American Impressionist

August 21, 1993 - October 10, 1993
The Burns Collection

The Burns Collection

August 21, 1993 - October 10, 1993
Collaboration: Mountain Lake Workshop

Collaboration: Mountain Lake Workshop

April 3, 1993 - May 16, 1993
Modern Primitives of Spain

Modern Primitives of Spain

January 17, 1987 - February 22, 1987
Animation Art from the Disney Studio

Animation Art from the Disney Studio

November 28, 1986 - January 11, 1987
Classic Bolivian Textiles

Classic Bolivian Textiles

October 18, 1986 - November 23, 1986
Red Grooms: The Graphic Work

Red Grooms: The Graphic Work

August 30, 1986 - October 12, 1986
Adornments & Sacral Art

Adornments & Sacral Art

January 18, 1986 - March 2, 1986
Cheek and the Arts

Cheek and the Arts

November 29, 1985 - January 5, 1986
Michael Singer: Ritual Series 1982 Pine & Rocks

Michael Singer: Ritual Series 1982 Pine & Rocks

January 25, 1985 - March 18, 1985
Gene Davis: Child & Man Collaboration

Gene Davis: Child & Man Collaboration

January 11, 1985 - February 25, 1985
Kashmir & Rajasthan Photographs by Ragubir Singh

Kashmir & Rajasthan Photographs by Ragubir Singh

October 18, 1984 - January 1, 1985
Drawings by Bill Berry

Drawings by Bill Berry

April 27, 1984 - June 11, 1984
Selections to Furnish the President’s House

Selections to Furnish the President’s House

December 17, 1983 - January 31, 1984
William & Mary Collects

William & Mary Collects

October 21, 1983 - January 20, 1983
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